What does Alone at Last sound like?

A tranquil blend of jazz fusion and reflective melodies that invites introspection with every note. Rooted in jazz fusion. Start with "Moonchild / In Your Quiet Place".

Is Alone at Last a good place to start with Gary Burton?

Yes, Alone at Last is recommended as a starting point for new Gary Burton listeners. A tranquil blend of jazz fusion and reflective melodies that invites introspection with every note. In 1971, Gary Burton was transitioning from his earlier work into a more experimental phase, marking this as his first album with the ECM label. At this point, Burton had already established himself as a prominent vibraphonist but sought to further innovate his sound and collaborate with new artists, particularly through this project.

Who is Alone at Last for?

Alone at Last works well if you're into wave-like pacing that soothes, intimate moments of reflection and gentle melodies for quiet times.

How many songs are on Alone at Last?

Alone at Last has 7 tracks, running approximately 39 minutes.

Alone at Last

Gary Burton · 1971

39 min · 7 tracks · jazz

A tranquil blend of jazz fusion and reflective melodies that invites introspection with every note.

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Top tracks — play these first

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Moonchild / In Your Quiet Place Start here — This opening track sets the tone for the album with its gentle yet intricate vibraphone melodies, establishing a meditative atmosphere that pervades the entire record.
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Green Mountains / Arise, Her Eyes — The interplay between vibraphone and piano showcases Burton's improvisational skills, creating a lush soundscape that highlights the emotional depth of the album.
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Chega de Saudade (No More Blues) — This rendition brings a Brazilian bossa nova feel into the mix, illustrating Burton's versatility and ability to blend genres while maintaining a cohesive sound.

Is this for you?

Good fit if you like

wave-like pacing that soothes
intimate moments of reflection
gentle melodies for quiet times
short tracks for breaks

Maybe skip if you

prefer high-energy music
want longer, sprawling albums

Where this album fits

In the catalog: Breakthrough — This album helped establish Gary Burton's recognition in the jazz scene.
Themes: meditative soundscapes· vibraphone improvisation· Brazilian bossa nova fusion
Career context: In 1971, Gary Burton was transitioning from his earlier work into a more experimental phase, marking this as his first album with the ECM label. At this point, Burton had already established himself as a prominent vibraphonist but sought to further innovate his sound and collaborate with new artists, particularly through this project.
Stylistic neighbors: Chick Corea· Pat Metheny· Herbie Hancock