Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalThe album presents well-crafted piano interpretations of classic ballads with a cohesive flow and distinct emotional character.
What we noticed
- The first half of the album maintains a reflective mood, while the latter half introduces slightly more upbeat pieces, creating a subtle shift in energy.
- Composition 25% of the score
-
8/10
- Craft 20% of the score
-
7/10
- Durability 25% of the score
-
6/10
- Distinctiveness 18% of the score
-
7/10
- Sequencing 12% of the score
-
8/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Little footprint beyond its audience. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- intimate moments of reflective solitude
- melancholic melodies for quiet evenings
- short, poignant bursts of emotion
- delicate piano lines that linger
Maybe skip if you
- prefer high-energy, upbeat tracks
- want complex arrangements and layers
Where this album fits
- In the catalog
- Deep Cut — A solid entry in the catalog that showcases Previn's piano work without being a standout.
- Stylistic neighbors
- Leonard Bernstein· George Gershwin· Oscar Peterson
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Angel Eyes 3:42
- 2 Second Time Around 3:19
- 3 André’s Blues 2:21
- 4 Darkest Before the Dawn 2:06
- 5 What Is This Thing Called Love 2:14
- 6 Night and Day 3:54
- 7 Bewitched, Bothered and Bewildered 4:26
- 8 I Can’t Get Started 4:03
- 9 My Ship 2:53
- 10 Skylark 2:44
- 11 I Didn’t Know What Time It Was / Ship Without a Sail 5:45
- 12 It Might as Well Be Spring 4:22
- 13 You’re Gonna Hear From Me 3:49
Reference: Wikipedia · MusicBrainz · Wikidata
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