American University 12/13/70
The Allman Brothers Band · 2002
60 min · 7 tracks · Southern rock
A raw, electrifying live performance showcasing Southern rock's improvisational spirit and the band's virtuosic musicianship.
Is this for you?
Good fit if you like
- raw electrifying live energy
- extended improvisational solos
- builds to climactic moments
- evening jam session vibes
Maybe skip if you want
- prefer concise, structured tracks
- seek instant gratification
Where this album fits
- In the catalog
- Deep Cut — Live album showcasing early performance; significant but not widely recognized.
- Themes
- Southern rock revival· live improvisation energy· 1970s concert culture
- Career context
- Released in 2002, 'American University 12/13/70' captures a pivotal moment in The Allman Brothers Band’s early career, shortly after their debut album. This live recording highlights their energetic performances from a time when they were establishing themselves as prominent figures in the Southern rock scene.
- Stylistic neighbors
- Lynyrd Skynyrd· The Marshall Tucker Band· Gov't Mule
- If this clicks, go next to
- Hittin' the Note — Continues the live energy with fresh compositions and improvisational flair.
- Sounds like this from elsewhere
-
Rock of Ages by The Band — Captures the same raw live energy and improvisational spirit of Southern rock in a 1970s concert setting.Waiting for Columbus by Little Feat — Shares a lively performance atmosphere with extended jams and Southern rock influences from the same era.Revelator by Tedeschi Trucks Band — Combines Southern rock roots with improvisation and soulful live performances, resonating with Allman’s style.
Tracklist
New here? Start with "Statesboro Blues".
- 1 Statesboro Blues Start here 4:34
- 2 Trouble No More 3:49
- 3 Don’t Keep Me Wonderin’ 3:45
- 4 Leave My Blues at Home 6:44
- 5 Stormy Monday 5:03
- 6 You Don’t Love Me 15:47
- 7 Whippin’ Post 20:40
What to play next
This album is considered a Deep Cut in The Allman Brothers Band's catalog. Live album showcasing early performance; significant but not widely recognized.
Hittin' the Note
2003
Continues the live energy with fresh compositions and improvisational flair.
Peakin' at the Beacon
2000
Precedes a similar live vibe, setting the stage for the raw performance experience.
Reference: Wikipedia · MusicBrainz · Wikidata
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