Anti-Urban cover

Anti-Urban

Drudkh · 2007

13 min · 2 tracks · black metal

A haunting blend of atmospheric black metal and folk elements that evokes the desolate beauty of the Ukrainian landscape.

Top tracks — play these first

  • →
    Fallen Into Oblivion — This opening track sets the tone for the album with its expansive soundscapes and melancholic melodies, showcasing Drudkh's unique blend of aggression and introspection.
  • →
    Ashes — The final track encapsulates the album's themes by merging somber riffs with sweeping atmospheric elements, creating a poignant conclusion to the listening experience.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

63 /100
Treeline
Higher than 74% of albums we've rated

The EP's blend of atmospheric and folk elements creates a unique sound within its genre, supported by strong craftsmanship.

What we noticed

  • The EP features two lengthy tracks, each over seven minutes, allowing for extended atmospheric development.
  • Both tracks incorporate folk instrumentation alongside traditional black metal elements, creating a layered soundscape.
  • The first track opens with a slow build-up that gradually introduces harsher vocals and faster instrumentation, while the second track maintains a more consistent tempo throughout.
Composition 25% of the score
7/10

the writing — melody, harmony, structure, lyrics

Craft 20% of the score
8/10

production, performance, arrangement

Durability 25% of the score
6/10

whether it rewards returning to it

Distinctiveness 18% of the score
7/10

whether it sounds like itself

Sequencing 12% of the score
8/10

running order, pacing, length

Influence 4/10

Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Tracklist

Best experienced from track one — press play and let it unfold.

  • 1 Fallen Into Oblivion 6:54
  • 2 Ashes 6:22

Reference: Wikipedia · MusicBrainz · Wikidata