Approaching
Jordan Randall Smith · 2017
79 min · 3 tracks
A minimalist exploration of sound that invites contemplation through vast, immersive sonic landscapes.
Where this album fits
- In the catalog
- Experimental — It represents a deliberate departure into minimalist soundscapes.
- Themes
- immersive soundscapes· contemplative silence· Baltimore's sonic textures
- Career context
- By the time 'Approaching' was released in November 2017, Jordan Randall Smith had established himself as a composer focused on experimental and contemporary classical music. This album marked a continuation of his exploration into long-form compositions, following his previous works that garnered attention for their innovative structures and use of silence.
- If this clicks, go next to
- Rhapsody: Music for Cello and Orchestra — It expands on the immersive qualities with rich orchestral textures.
- Sounds like this from elsewhere
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Sleep by Max Richter — Shares a focus on minimalist, immersive soundscapes designed for deep contemplation and relaxation.Ambient 1: Music for Airports by Brian Eno — Similar in creating vast, tranquil environments that encourage reflection and an atmospheric listening experience.Re:member by Ólafur Arnalds — Explores meditative themes through evolving sound textures and minimalistic compositions, inviting introspection.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Straussian Landscapes 21:56
- 2 Baltimore Prelude 3:21
- 3 Approaching Eternity 53:54
What to play next
This album is considered a Experimental in Jordan Randall Smith's catalog. It represents a deliberate departure into minimalist soundscapes.
Reference: Wikipedia · MusicBrainz · Wikidata
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