At least for now
Benjamin Clementine · 2015
68 min · 15 tracks · alternative rock
A haunting blend of piano-driven melodies and Clementine's rich, emotive vocals create an atmospheric exploration of love and loss.
Top tracks — play these first
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Winston Churchill’s Boy — This opening track sets the tone with its orchestral arrangement and poignant lyrics about identity and belonging, encapsulating the album's emotional core.
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London — In this reflective piece, Clementine contrasts personal memories with broader societal observations, creating a rich tapestry of nostalgia and critique that resonates throughout the album.
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Nemesis — Here, Clementine's vocal delivery takes center stage, supported by minimalist instrumentation that amplifies the themes of conflict and resolution present in his work.
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The People and I — This track combines intricate piano lines with a powerful message about connection and alienation, showcasing Clementine's ability to weave personal narrative with social commentary.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album showcases unique compositions and distinct vocal delivery, though its cohesion is somewhat affected by bonus tracks.
What we noticed
- The first three tracks establish a slow, contemplative pace with piano and vocal harmonies before shifting to more rhythmic elements in the fourth track.
- Clementine's vocal delivery often features dramatic shifts in dynamics, alternating between soft whispers and powerful crescendos.
- Several tracks incorporate unconventional song structures, such as extended instrumental sections and abrupt transitions between themes.
- Composition 25% of the score
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8/10
- Craft 20% of the score
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7/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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8/10
- Sequencing 12% of the score
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5/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- haunting piano melodies for reflection
- emotive vocals that linger
- intimate moments of vulnerability
- late-night solitude with depth
Maybe skip if you
- seeking upbeat party atmosphere
- prefer instant gratification tracks
Where this album fits
- Career context
- Released in 2015, At Least for Now is Benjamin Clementine's debut album, following his early career as a busker in Paris. This album marked his transition from underground artist to a recognized voice in alternative rock, showcasing his unique blend of classical influences and contemporary sounds.
- Stylistic neighbors
- FKA twigs· James Blake· Sufjan Stevens
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Winston Churchill’s Boy 5:37
- 2 Then I Heard a Bachelor’s Cry 5:05
- 3 London 3:58
- 4 Adiós 4:13
- 5 St. Clementine on Tea and Croissants (extended version) 2:33
- 6 Nemesis 5:00
- 7 The People and I 5:15
- 8 Condolence 6:27
- 9 Cornerstone 4:31
- 10 Quiver a Little 4:38
- 11 Gone 4:32
- 12 The Movies Never Lie (demo version) 3:59
- 13 Pound Sterling 4:34
- 14 Riverman (live at BBC) 3:39
- 15 London (live at France Inter) 4:03
Reference: Wikipedia · MusicBrainz · Wikidata
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