Top tracks — play these first
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He’s Got the Whole World in His Hands — This track stands out as a spiritual anthem that showcases Odetta's vocal range and emotive power, making it a cornerstone of her repertoire.
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Deep River — Odetta's rendition of this classic spiritual highlights her ability to convey deep emotion through intricate phrasing and rich tones, reinforcing her connection to African American musical heritage.
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The Midnight Special — This lively interpretation incorporates call-and-response elements, reflecting Odetta's roots in both folk and blues traditions while inviting listeners into a communal experience.
Is this for you?
Good fit if you like
- intimate storytelling through song
- short tracks for quick engagement
- warm vocals for cozy moments
- reflective listening during solitude
- uplifting energy for gatherings
Maybe skip if you
- seeking long, sprawling compositions
- prefer fast-paced contemporary sounds
Where this album fits
- Career context
- Released in 1957, At the Gate of Horn was Odetta's third studio album, following her influential debut, Odetta Sings Ballads and Blues. At this point in her career, she was establishing herself as a prominent figure in the folk music revival, known for her deep roots in African American musical traditions.
- Stylistic neighbors
- Bessie Smith· Billie Holiday· Mavis Staples
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 He’s Got the Whole World in His Hands 1:53
- 2 Sail Away Ladies, Sail Away 2:22
- 3 The Gallows Pole 2:51
- 4 Lowlands 2:36
- 5 The Fox 1:49
- 6 Maybe She Go 1:47
- 7 The Lass From the Low Countree 4:33
- 8 Timber 3:11
- 9 Deep River 2:59
- 10 Chilly Winds 2:43
- 11 Greensleeves 2:49
- 12 Devilish Mary 1:52
- 13 All the Pretty Little Horses 2:59
- 14 The Midnight Special 2:36
- 15 Take This Hammer 3:27
Reference: Wikipedia · MusicBrainz · Wikidata
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