Berberian Sound Studio OST
Broadcast · 2013
37 min · 39 tracks · electronic music
An eerie blend of electronic textures and haunting melodies that evoke the unsettling atmosphere of vintage horror films.
Top tracks — play these first
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Teresa, Lark of Ascension — This track stands out with its ethereal vocals layered over unsettling soundscapes, encapsulating the album's haunting essence. It exemplifies Broadcast's craftsmanship in creating mood through minimalism and abstraction.
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Mark of the Devil — The unsettling repetition and stark sonic contrasts in this piece create a sense of dread that aligns perfectly with the horror themes of the film. Its brevity packs an emotional punch that embodies the album's overall tension.
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Our Darkest Sabbath — This closing track offers a more expansive soundscape, merging dissonance with melodic elements to evoke a climactic resolution. It effectively ties together the album’s themes, leaving listeners with a lingering sense of unease.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalThe album's unique blend of electronic textures and unconventional structures creates an unsettling yet engaging atmosphere.
What we noticed
- The album features a consistent use of eerie soundscapes, with many tracks employing layered electronic textures that create a haunting atmosphere.
- Several tracks utilize unconventional structures, often building tension through gradual layering and sparse instrumentation rather than traditional melodies.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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8/10
- Sequencing 12% of the score
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5/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- eerie soundscapes for focus
- short bursts of haunting atmosphere
- immersive experience for horror fans
- late-night listening with tension
Maybe skip if you
- seekers of conventional song structures
- prefer upbeat or fast-paced music
Where this album fits
- Career context
- Released in 2013, Berberian Sound Studio OST marked Broadcast's return after a five-year hiatus following the death of co-founder Trish Keenan. This album serves as a unique contribution to the film soundtrack genre, showcasing the band's distinctive style while honoring their legacy in experimental music.
- Stylistic neighbors
- Stereolab· The United States of America· Air
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 A Breeze Through the Burford Spur 0:36
- 2 The Equestrian Vortex 1:21
- 3 Beautiful Hair 1:00
- 4 Malleus Maleficarum 0:45
- 5 Mark of the Devil 0:40
- 6 Confession Modulation 0:27
- 7 Monica’s Fall 0:24
- 8 Teresa’s Song (Sorrow) 0:58
- 9 The North Downs Dimension 1:05
- 10 Collatina Is Coming 1:22
- 11 Such Tender Things 0:47
- 12 Teresa, Lark of Ascension 3:37
- 13 Monica’s Burial (Under the Junipers) 1:00
- 14 Found Scalded, Found Drowned 0:56
- 15 Monica (Her Parents Have Been Informed) 0:57
- 16 The Fifth Claw 1:26
- 17 Saducismus Triumphatus 0:33
- 18 The Gallops 1:04
- 19 They’re Here, They’re Under Us 0:23
- 20 Collatina, Mark of Damnation 1:37
- 21 Treatise 1:02
- 22 A Goblin 0:32
- 23 The Equestrian Library 0:54
- 24 The Serpent’s Semen 0:06
- 25 Burnt at the Stake 1:33
- 26 All Chiffchaffs 0:31
- 27 The Curfew After the Massacre 0:30
- 28 Poultry in Mind 0:24
- 29 The Sacred Marriage 1:12
- 30 Valeria’s Burial (Under the Fort) 0:54
- 31 Edda’s Burial (Under the Clumps) 0:41
- 32 The Game’s Up 0:37
- 33 It Must’ve Been the Magpies 0:48
- 34 The Dormitory Window 0:58
- 35 Anima di Cristo 0:31
- 36 His World Is My Shed 0:49
- 37 Collatina’s Folly 0:47
- 38 Here Comes the Sabbath, There Goes the Cross 0:32
- 39 Our Darkest Sabbath 3:08
Reference: Wikipedia · MusicBrainz · Wikidata
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