Black Snake Diamond Röle cover

Black Snake Diamond Röle

Robyn Hitchcock · 1981

59 min · 15 tracks · alternative rock

Surreal melodies and whimsical lyrics intertwine with a blend of jangly guitars and psychedelic influences, creating a distinctive alternative rock experience.

Top tracks — play these first

  • →
    Brenda’s Iron Sledge — This track showcases Hitchcock's knack for combining absurdist imagery with catchy melodies, making it one of the most memorable selections on the album.
  • →
    Acid Bird — With its haunting atmosphere and vivid storytelling, Acid Bird exemplifies Hitchcock’s ability to evoke emotion through surreal lyrics and intricate arrangements.
  • →
    The Man Who Invented Himself — The opening track sets the tone for the album with its clever wordplay and introspective themes, perfectly encapsulating Hitchcock's artistic vision.
  • →
    Dancing on God’s Thumb — This song blends whimsical lyrics with an infectious rhythm, highlighting Hitchcock's playful approach to songwriting while addressing deeper existential themes.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

55 /100
Foothills
Higher than 45% of albums we've rated

The album showcases unique songwriting and distinct sound but has some unevenness in pacing and cohesion.

What we noticed

  • The first half of the album features a consistent use of jangly guitars and surreal melodies, while the second half shifts to more experimental arrangements.
  • Several tracks incorporate unexpected tempo changes, such as 'Brenda’s Iron Sledge,' which juxtaposes a steady rhythm with whimsical lyrics.
Composition 25% of the score
7/10

the writing — melody, harmony, structure, lyrics

Craft 20% of the score
6/10

production, performance, arrangement

Durability 25% of the score
6/10

whether it rewards returning to it

Distinctiveness 18% of the score
8/10

whether it sounds like itself

Sequencing 12% of the score
5/10

running order, pacing, length

Influence 6/10

Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

  • whimsical storytelling with surrealism
  • dynamic journey with emotional peaks
  • short tracks for quick engagement
  • playful energy for lighthearted moments

Maybe skip if you

  • prefer straightforward, linear narratives
  • seek heavy, intense emotional weight

Where this album fits

Career context
Released in 1981, Black Snake Diamond Röle is Robyn Hitchcock's second solo album, following his debut, I Often Dream of Trains. At this point, Hitchcock was transitioning from his work with the Soft Boys into his solo career, solidifying his unique voice in the burgeoning alternative rock scene.
Stylistic neighbors
The Soft Boys· They Might Be Giants· Squeeze

Moments worth listening for

Where the writing does something specific.

  • Love

    The bridge features a sudden shift in perspective that reveals vulnerability amidst a previously lighthearted narrative.

    This pivot not only deepens the emotional impact but also contrasts sharply with the earlier whimsical tone, showcasing Hitchcock's lyrical dexterity.

Tracklist

Best experienced from track one — press play and let it unfold.

  • 1 The Man Who Invented Himself 2:58
  • 2 Brenda’s Iron Sledge 2:58
  • 3 Do Policemen Sing? 3:39
  • 4 The Lizard 5:05
  • 5 Meat 3:05
  • 6 Acid Bird 4:43
  • 7 I Watch the Cars 2:26
  • 8 Out of the Picture 3:41
  • 9 City of Shame 3:21
  • 10 Love 4:33
  • 11 Dancing on God’s Thumb 3:46
  • 12 Happy the Golden Prince 6:40
  • 13 I Watch the Cars #2 4:23
  • 14 It Was the Night 3:35
  • 15 Grooving on a Inner Plane 4:11

Reference: Wikipedia · MusicBrainz · Wikidata