Blood, Sweat & Tears 3
Blood, Sweat & Tears · 1970
42 min · 10 tracks · jazz
A vibrant fusion of rock and jazz, marked by bold brass arrangements and introspective lyrics that explore the human experience.
Top tracks — play these first
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Hi-De-Ho Start here — This track exemplifies the band's signature blend of jazz and rock, featuring an infectious hook and a vibrant brass section that captures the album's energetic spirit.
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Lucretia Mac Evil — With its catchy melody and clever lyrics, this song showcases the band's ability to merge storytelling with complex musical arrangements, making it a standout moment on the album.
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Symphony for the Devil / Sympathy for the Devil — This ambitious cover transforms the Rolling Stones' classic into a jazz-rock odyssey, reflecting Blood, Sweat & Tears' unique approach to reinterpretation and improvisation.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album blends rock and jazz with strong arrangements but lacks some cohesion in its pacing.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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6/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- steady mid-tempo groove
- bold horn-driven arrangements
- emotive vocal expressions
- in-order listening journey
- reflective moments of introspection
Maybe skip if you
- seeking fast-paced excitement
- prefer short standalone tracks
Where this album fits
- In the catalog
- Breakthrough — This album solidified the band's reputation with significant radio play and a hit single.
- Themes
- jazz-rock fusion· introspective storytelling· brass-driven energy
- Career context
- Released on June 1, 1970, Blood, Sweat & Tears 3 followed the band's commercial peak with their previous album, achieving significant radio play and critical acclaim. The band was transitioning into a more experimental phase, as they sought to expand their sound beyond the successful formula established in their earlier work.
- Stylistic neighbors
- Chicago· The Electric Flag· Steely Dan
Moments worth listening for
Where the writing does something specific.
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Lonesome Suzie
The narrative shifts from a reflective tone to an urgent plea for connection in the chorus.
This dynamic change amplifies the emotional weight of loneliness while inviting listeners into a more personal reflection.
Tracklist
- 1 Hi-De-Ho Start here 4:25
- 2 The Battle 2:43
- 3 Lucretia Mac Evil 3:03
- 4 Lucretia's Reprise 2:35
- 5 Fire and Rain 4:02
- 6 Lonesome Suzie 4:35
- 7 Symphony for the Devil / Sympathy for the Devil 7:49
- 8 He's a Runner 4:15
- 9 Somethin' Comin' On 4:33
- 10 40,000 Headmen 4:40
What to play next
Blood, Sweat & Tears 4
1971
Continues the fusion of rock and jazz with evolving soundscapes.
Blood, Sweat & Tears
1968
Sets the stage with similar themes and musical style.
If this landed
Records by other artists that run on the same instinct.
Chicago VI
Chicago
Shares bold brass arrangements and a similar blend of rock with jazz influences in lyrical storytelling.
Can't Buy a Thrill
Steely Dan
Combines intricate jazz harmonies with rock, featuring introspective lyrics and a polished production style.
A Long Time Comin'
The Electric Flag
Merges rock with jazz and blues elements, emphasizing brass instrumentation and emotional narratives.
Reference: Wikipedia · MusicBrainz · Wikidata
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