Top tracks — play these first
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She Belongs to Me Start here — establishes the sonic palette early
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Leopard‐Skin Pill‐Box Hat — A biting fashion satire rides a loose electric blues, making the music’s swagger part of the joke.
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Meet Me in the Morning — From Blood on the Tracks, this slow blues sets romantic estrangement against a patient electric-guitar groove.
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Gotta Serve Somebody — Its insistent groove and repeated moral ultimatum bring the religious convictions of Dylan’s late-1970s work into focus.
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High Water (For Charley Patton) — Banjo and a driving rhythm carry flood imagery and references to the Mississippi blues singer into an unsettling vision of disorder.
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Blind Willie McTell — Piano and acoustic guitar frame a sequence of historical scenes, with the blues singer’s name returning as a measure of what the song cannot fully contain.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album showcases Dylan's storytelling through blues while blending original and classic material.
What we noticed
- Several tracks employ a slow, deliberate tempo, allowing for extended instrumental sections that emphasize the blues influence.
- Composition 25% of the score
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6/10
- Craft 20% of the score
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7/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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5/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- bluesy storytelling with depth
- reflective moments for introspection
- for late-night listening
- engaging narratives with rich imagery
Maybe skip if you
- seekers of instant gratification
- prefer upbeat, fast-paced tracks
Where this album fits
- In the catalog
- Late Career Highlight — Continues Dylan's resurgence, showcasing his lyrical depth and musical versatility.
- Themes
- American blues legacy· societal disillusionment· gospel-infused rock
- Career context
- Released in 2006, Blues is a compilation tracing Bob Dylan’s engagement with blues from his mid-1960s electric recordings through 2001’s Love and Theft. It brings together familiar album cuts and the once-unreleased 1983 recording Blind Willie McTell, first issued on The Bootleg Series Volumes 1–3 in 1991.
- Stylistic neighbors
- Leonard Cohen· Neil Young· Johnny Cash
Tracklist
- 1 She Belongs to Me Start here 2:48
- 2 Leopard‐Skin Pill‐Box Hat 3:58
- 3 It Takes a Lot to Laugh, It Takes a Train to Cry 3:23
- 4 Crash on the Levee (Down in the Flood) 2:49
- 5 Meet Me in the Morning 4:22
- 6 Gotta Serve Somebody 5:26
- 7 The Groom’s Still Waiting at the Altar 4:04
- 8 Seeing the Real You at Last 4:22
- 9 Everything Is Broken 3:14
- 10 Dirt Road Blues 3:37
- 11 High Water (For Charley Patton) 4:04
- 12 Blind Willie McTell 5:51
If this landed
Records by other artists that run on the same instinct.
You Want It Darker
Leonard Cohen
Explores deep personal and social themes with rich, atmospheric instrumentation and a bluesy undercurrent.
Master of Disaster
John Hiatt
Shares storytelling depth and Americana roots, weaving personal reflection through a blues-infused rock sound.
Mescalito
Ryan Bingham
Captures a similar blend of folk and blues with introspective lyrics reflecting on life's struggles and experiences.
Reference: Wikipedia · MusicBrainz · Wikidata
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