Blues Alley Jazz cover

Blues Alley Jazz

George Shearing

45 min · 9 tracks · jazz

A sophisticated blend of cool jazz and bebop, marked by intricate arrangements and Shearing's signature piano style.

Top tracks — play these first

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    Autumn in New York — The track embodies the album's mood with its lush harmonies and expressive melody, showcasing Shearing's ability to evoke emotion through simplicity.
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    The Masquerade Is Over — This piece stands out for its poignant delivery and intricate interplay between piano and rhythm section, highlighting Shearing's skillful arrangement.
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    Up a Lazy River — Shearing infuses this classic tune with a laid-back groove that captures the carefree essence of summer, making it a delightful listening experience.

Is this for you?

Good fit if you like

  • smooth melodies for relaxed evenings
  • wave-like pacing invites deep listening
  • sophisticated arrangements for intimate gatherings
  • dynamic exploration of familiar themes

Maybe skip if you

  • prefer instant gratification tracks
  • seek high-energy party music

Where this album fits

Career context
Released in 1978, Blues Alley Jazz was a significant moment in George Shearing's career following his transition from the big band era to more intimate jazz settings. By this time, Shearing had already established himself as a prominent figure in jazz, known for his innovative blend of classical harmonies with jazz improvisation. This album showcases his mastery of small ensemble performance, capturing the essence of a live jazz club atmosphere.
Stylistic neighbors
Bill Evans· Dave Brubeck· Chet Baker

Tracklist

Best experienced from track one — press play and let it unfold.

  • 1 One for the Woofer 8:30
  • 2 Autumn in New York 5:03
  • 3 The Masquerade Is Over 6:28
  • 4 That's What She Says 4:00
  • 5 Soon It's Gonna Rain 5:32
  • 6 High and Inside 3:47
  • 7 For Every Man There's a Woman 3:51
  • 8 This Couldn't Be the Real Thing 3:22
  • 9 Up a Lazy River 5:09

Reference: Wikipedia · MusicBrainz · Wikidata