Blues Alley Jazz
45 min · 9 tracks · bebop · cool jazz
Sophisticated arrangements and smooth melodies intertwine with Shearing's signature harmonic innovations.
Why this album works
This album is significant for its exploration of jazz standards through a modern lens, contributing to the ongoing evolution of the genre. Upon its release, it received positive critical reception and helped solidify Shearing's reputation as a leading figure in jazz during the mid-20th century.
- Best for
- smooth melodies for relaxed evenings wave-like pacing invites deep listening sophisticated arrangements for intimate gatherings
- Context
- Released in 1965, 'Blues Alley Jazz' marked George Shearing’s return to a more intimate jazz setting after years of commercial success. Following his popular recordings in the 1950s, this album showcased his unique blend of bebop and cool jazz, reflecting his evolution as an artist while remaining rooted in classic jazz traditions.
- Stylistic neighbors
- George Martin· Miriam Makeba· The Pointer Sisters· Bobby Darin· Ray Manzarek· Nicole· Tom Scott· Dickey Betts
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 One for the Woofer 8:30
- 2 Autumn in New York Standout 5:03
- 3 The Masquerade Is Over Standout 6:28
- 4 That's What She Says 4:00
- 5 Soon It's Gonna Rain 5:32
- 6 High and Inside 3:47
- 7 For Every Man There's a Woman 3:51
- 8 This Couldn't Be the Real Thing 3:22
- 9 Up a Lazy River Standout 5:09
Reference: Wikipedia · MusicBrainz · Wikidata
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