Top tracks — play these first
-
→
Crazy ’bout an Automobile (Every Woman I Know) — This track exemplifies Cooder's knack for storytelling through humor, blending catchy melodies with sharp social commentary on materialism.
-
→
Down in the Boondocks — Cooder's rendition revitalizes this classic with a fresh arrangement, highlighting his ability to breathe new life into traditional songs while maintaining their emotional core.
-
→
The Way We Make a Broken Heart — This song showcases Cooder's poignant vocal delivery and intricate guitar work, making it a standout moment that captures the album's emotional depth.
-
→
Borderline — 'Borderline' embodies the album's themes of longing and uncertainty, featuring an infectious groove complemented by Cooder's expressive instrumentation.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album showcases strong songwriting and vibrant performances, though it doesn't fully stand out in its genre.
What we noticed
- The album opens with a cover of '634-5789', setting a lively tone with upbeat rhythms and prominent guitar work.
- Cooder's guitar solos often intertwine with the vocal lines, creating a conversational dynamic between instruments and voice.
- The last two tracks slow down the tempo significantly, providing a contrast to the earlier energy and allowing for reflective moments.
- Composition 25% of the score
-
7/10
- Craft 20% of the score
-
8/10
- Durability 25% of the score
-
6/10
- Distinctiveness 18% of the score
-
7/10
- Sequencing 12% of the score
-
6/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- steady, consistent energy levels
- narrative-driven listening experience
- mid-tempo reflective moments
- engaging storytelling through songs
Where this album fits
- Career context
- By 1980, Ry Cooder was already an established figure in the music scene, having gained recognition for his innovative fusion of roots music styles. 'Borderline' marked his return after the successful 'Bop Till You Drop' in 1979, showcasing his ability to seamlessly merge genres while expanding his lyrical focus into more personal narratives.
- Stylistic neighbors
- Leonard Cohen· John Prine· David Lindley
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 634-5789 2:56
- 2 Speedo 3:20
- 3 Why Don’t You Try Me 4:54
- 4 Down in the Boondocks 3:21
- 5 Johnny Porter 5:21
- 6 The Way We Make a Broken Heart 4:28
- 7 Crazy ’bout an Automobile (Every Woman I Know) 5:03
- 8 The Girls From Texas 4:40
- 9 Borderline 3:19
- 10 Never Make Your Move Too Soon 6:08
Reference: Wikipedia · MusicBrainz · Wikidata
Sync your library
Everything you track here works immediately — no account needed. Create one when you want to sync across devices.