Burnt Lips cover

Burnt Lips

Leo Kottke · 1978

40 min · 14 tracks · blues

A blend of bluesy fingerstyle guitar and poignant storytelling that evokes the rugged landscapes of American life.

Top tracks — play these first

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    Endless Sleep Start here — This track opens the album with haunting melodies and intricate guitar work, setting the tone for Kottke's exploration of themes like loss and longing.
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    Sonora's Death Row — A striking narrative piece that combines storytelling with Kottke's signature guitar style, capturing the listener’s imagination with vivid imagery.
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    Everybody Lies — This song showcases Kottke's witty lyricism and clever wordplay, providing a contrast to the more somber tracks while still maintaining emotional weight.
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    Burnt Lips — The title track encapsulates the album's essence with its raw emotion and reflective lyrics, highlighting Kottke's ability to convey deep feelings through simple yet powerful music.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

58 /100
Treeline
Higher than 49% of albums we've rated

Kottke's blend of intricate guitar work and storytelling creates a distinctive yet cohesive album experience.

What we noticed

  • The first half of the album features tracks that maintain a steady fingerpicking tempo, while the second half introduces more varied rhythms and dynamics.
  • Several tracks incorporate spoken word elements alongside traditional singing, creating a narrative flow that enhances the storytelling aspect.
  • The guitar work is characterized by intricate fingerstyle techniques, with multiple tracks featuring complex harmonics and percussive elements.
Composition 25% of the score
7/10

the writing — melody, harmony, structure, lyrics

Craft 20% of the score
8/10

production, performance, arrangement

Durability 25% of the score
6/10

whether it rewards returning to it

Distinctiveness 18% of the score
7/10

whether it sounds like itself

Sequencing 12% of the score
5/10

running order, pacing, length

Influence 4/10

Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

  • steady pacing for reflective moments
  • vivid storytelling through intricate fingerpicking
  • consistent flow with satisfying resolutions
  • for quiet afternoon listening

Maybe skip if you

  • prefer fast-paced, energetic tracks
  • seek immediate gratification in music

Where this album fits

In the catalog
Critical Peak — 'Burnt Lips' showcases Kottke's inventive guitar work and lyrical depth, marking a high point in his career.
Themes
rugged American landscapes· loss and longing· storytelling tradition
Career context
By 1978, Leo Kottke had established himself as a prominent figure in the acoustic music scene with his unique fingerpicking style. 'Burnt Lips' is his fifth studio album, following the successful 'My Feet Are Smiling' released in 1976, and it showcases his continued evolution as a songwriter and musician during this prolific period.
Stylistic neighbors
John Fahey· Bert Jansch· Michael Hedges

Moments worth listening for

Where the writing does something specific.

  • Everybody Lies

    The lyrics shift from humorous observations about human nature to a more introspective contemplation on truth reveals deeper layers in Kottke's…

    This transition not only adds complexity to the song but also challenges listeners to reflect on their own perceptions of honesty.

Tracklist

  • 1 Endless Sleep Start here 3:37
  • 2 Cool Water 2:25
  • 3 Frank Forgets 2:09
  • 4 Sonora's Death Row 4:30
  • 5 The Quiet Man 2:05
  • 6 Everybody Lies 2:19
  • 7 I Called Back 2:37
  • 8 A Low Thud 3:07
  • 9 Orange Room 3:32
  • 10 The Credits: Out-Takes From Terry's Movie 3:46
  • 11 Voluntary Target 2:58
  • 12 Burnt Lips 2:07
  • 13 Sand Street 1:46
  • 14 The Train and the Gate: From Terry's Movie 3:18

Reference: Wikipedia · MusicBrainz · Wikidata