What makes Burnt to Bitz: At the Astoria by Graham Coxon notable?

This album is significant for its unfiltered portrayal of Coxon's live prowess, contributing to his reputation as a compelling performer. It received positive feedback from critics, many of whom praised its raw sound and personal lyrics, further solidifying his place in the indie rock scene. By 2006, Graham Coxon was solidifying his post-Blur identity as a solo artist, following the release of his critically acclaimed album 'Love Travels at Illegal Speeds' in 2006. 'Burnt to Bitz: At the Astoria' captures his live performance energy during this transitional period, showcasing his evolution from band member to a distinctive solo voice.

Who is Burnt to Bitz: At the Astoria for?

Burnt to Bitz: At the Astoria works well if you're into wave-like pacing with peaks, raw energy for live vibes and dynamic progression throughout album.

How many songs are on Burnt to Bitz: At the Astoria?

Burnt to Bitz: At the Astoria has 28 tracks, running approximately 110 minutes.

Released 20 years ago

Burnt to Bitz: At the Astoria

Graham Coxon · 2006

110 min · 28 tracks · alternative rock

A raw and energetic live album blending Coxon's signature guitar-driven sound with candid lyrical introspection.

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Top tracks — play these first

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Bittersweet Bundle of Misery — This track encapsulates the thematic core of the album with its melancholic yet catchy chorus, representing Coxon's unique blend of vulnerability and wit.
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I Wish — The song showcases Coxon's emotive vocal delivery and introspective lyrics, making it a highlight that resonates deeply with listeners seeking authenticity.
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That's When I Reach for My Revolver — Covering this classic adds an element of punk energy to the set, highlighting Coxon's ability to reinterpret influences while maintaining his distinctive style.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

52 /100

Foothills

Higher than 38% of albums we've rated

The album effectively showcases Coxon's live energy and guitar prowess, though it lacks some structural cohesion.

What we noticed

Coxon's guitar work is prominent throughout, often taking center stage in instrumental breaks that showcase his technical skill.
The live recording captures audience interaction, with Coxon frequently addressing the crowd and responding to their energy.

Composition 25% of the score: 6/10
Craft 20% of the score: 7/10
Durability 25% of the score: 6/10
Distinctiveness 18% of the score: 7/10
Sequencing 12% of the score: 5/10

Influence 3/10

Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

wave-like pacing with peaks
raw energy for live vibes
dynamic progression throughout album
for energetic gatherings
engaging sing-alongs with friends

Maybe skip if you

prefer polished studio recordings
seek instant gratification tracks

Where this album fits

Career context: By 2006, Graham Coxon was solidifying his post-Blur identity as a solo artist, following the release of his critically acclaimed album 'Love Travels at Illegal Speeds' in 2006. 'Burnt to Bitz: At the Astoria' captures his live performance energy during this transitional period, showcasing his evolution from band member to a distinctive solo voice.
Stylistic neighbors: Blur· The Libertines· Franz Ferdinand