Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalThe album showcases strong instrumental interplay and thematic development, typical of Mulligan's style.
What we noticed
- The album features a consistent use of counterpoint, with multiple instruments weaving in and out of the melodic lines.
- Each track maintains a relaxed tempo, often featuring extended solos that allow for improvisation.
- Composition 25% of the score
-
7/10
- Craft 20% of the score
-
8/10
- Durability 25% of the score
-
6/10
- Distinctiveness 18% of the score
-
6/10
- Sequencing 12% of the score
-
7/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Little footprint beyond its audience. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- playful melodic explorations
- short bursts of lively energy
- easygoing afternoon relaxation
- headphone detail hunting
Maybe skip if you
- prefer lengthy immersive albums
- want heavy production
Where this album fits
- In the catalog
- Deep Cut — A solid entry in Mulligan's catalog that may not be widely recognized.
- Stylistic neighbors
- Chet Baker· Dave Brubeck· Paul Desmond
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Butterfly With Hiccups 3:16
- 2 You'd Be So Nice to Come Home To 5:03
- 3 Theme for Jobim 3:43
- 4 Old Devil Moon 4:35
- 5 The Ant Hill 7:24
- 6 Blues for Lynda 3:00
- 7 Line for Lyons 4:25
- 8 Crazy Day 4:15
Reference: Wikipedia · MusicBrainz · Wikidata
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