What makes Circle in the Round by Miles Davis notable?

The album is notable for its ambitious length, particularly the title track which spans over 26 minutes, showcasing Davis's willingness to push boundaries within the genre. It also features compositions that highlight the improvisational prowess of his ensemble, further solidifying Davis's influence on jazz fusion and contemporary jazz musicians. Released in November 1979, 'Circle in the Round' emerged during a transitional phase for Miles Davis, following his previous album 'Agartha' in 1975. This record showcases Davis's continued experimentation with electric instrumentation and complex arrangements, reflecting his ongoing evolution as a pioneering force in jazz.

Who is Circle in the Round for?

Circle in the Round works well if you're into expansive improvisational landscapes, wave-like pacing with peaks and introspective evening listening sessions.

How many songs are on Circle in the Round?

Circle in the Round has 10 tracks, running approximately 98 minutes.

Circle in the Round

Miles Davis · 1979

98 min · 10 tracks · jazz fusion · bebop · hard bop

A sprawling exploration of jazz fusion, weaving intricate melodies through expansive improvisational landscapes.

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Is this for you?

Good fit if you like

expansive improvisational landscapes
wave-like pacing with peaks
introspective evening listening sessions
dynamic explorations of melody

Maybe skip if you want

seekers of instant gratification
prefer short, standalone tracks

Where this album fits

Themes: electric instrumentation· improvisational landscapes· blues-infused jazz
Career context: Released in November 1979, 'Circle in the Round' emerged during a transitional phase for Miles Davis, following his previous album 'Agartha' in 1975. This record showcases Davis's continued experimentation with electric instrumentation and complex arrangements, reflecting his ongoing evolution as a pioneering force in jazz.
Stylistic neighbors: John Coltrane· Herbie Hancock· Wayne Shorter
Sounds like this from elsewhere: Head Hunters by Herbie Hancock — Explores electric jazz fusion with intricate grooves and improvisational flair, similar to Davis's late period.

Return to Forever by Chick Corea — Features expansive arrangements and a blend of jazz and rock, mirroring the ambitious soundscapes of Davis's work.

Heavy Weather by Weather Report — Combines electric instrumentation with complex improvisations, resonating with the fusion elements in Davis's album.