Top tracks — play these first
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The Rape of Lucretia — This track stands out for its audacious approach to a classical narrative, intertwining dark themes with catchy melodies that challenge listeners' expectations.
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Lucky Like St. Sebastian — Opening the album, this song encapsulates Momus's signature mix of irony and charm, setting the tone for the rest of the record.
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Little Lord Obedience — This track showcases Momus's knack for blending playful lyrics with deeper philosophical undertones, capturing the essence of the album's thematic exploration.
Is this for you?
Good fit if you like
- whimsical storytelling with satire
- steady pacing for thoughtful listening
- mid-tempo flow for casual vibes
- playful narratives inviting reflection
Maybe skip if you
- seekers of high-energy tracks
- prefer straightforward lyrical content
Where this album fits
- In the catalog
- Breakthrough — This album established Momus's unique style and gained critical acclaim, enhancing his recognition.
- Career context
- Released in 1986, 'Circus Maximus' is Momus's third studio album, following his previous release 'The Elephant' from 1985. At this point in his career, Momus was solidifying his unique blend of pop and experimental sounds while gaining recognition for his provocative lyrical content.
- Stylistic neighbors
- Cornelius· Pizzicato Five· Stereolab
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Lucky Like St. Sebastian 3:19
- 2 The Lesson of Sodom (According to Lot) 3:43
- 3 John the Baptist Jones 3:12
- 4 King Solomon’s Song and Mine 3:17
- 5 Little Lord Obedience 5:13
- 6 The Day the Circus Came to Town 3:25
- 7 The Rape of Lucretia 4:57
- 8 Paper Wraps Rock 3:58
- 9 Rules of the Game of Quoits 4:03
- 10 “Nicky” 4:16
- 11 Don’t Leave 3:35
- 12 See a Friend in Tears 4:12
Reference: Wikipedia · MusicBrainz · Wikidata
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