Class Guitar
Chet Atkins · 1967
34 min · 14 tracks · classical · country · jazz
A delicate fusion of classical guitar and folk melodies, showcasing Atkins' virtuosity and emotional depth.
Why this album works
'Class Guitar' is notable for its role in popularizing classical guitar techniques within mainstream music, earning critical acclaim. The album's diverse repertoire contributed to Atkins' recognition as a crossover artist, further solidifying his legacy in both the country and classical genres.
- Best for
- steady melodic exploration delicate guitar nuances suitable for quiet afternoons
- Context
- In 1967, Chet Atkins was a celebrated figure in the country music scene, having established his reputation with albums like 'High Guitar' (1962). 'Class Guitar' marked a significant exploration into classical influences, showcasing his ability to bridge genres as he continued to innovate and influence both country and popular music.
- Stylistic neighbors
- Thelonious Monk· Miles Davis· Ella Fitzgerald· John Coltrane· Dave Brubeck· Aretha Franklin· Herbie Hancock· Bing Crosby
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Yellow Bird 3:11
- 2 Malagueñas Standout 2:45
- 3 Morenita Do Brazil 3:02
- 4 Testament Of Amelia (El Testamento De Amelia) 1:50
- 5 Acutely Cute 2:06
- 6 Little Music Box (La Alborada)/Lagrima 3:41
- 7 Lagrima
- 8 El Humahuaqueño (Carnavalito) 2:58
- 9 Ave Maria 2:45
- 10 Scherzino Mexicano 2:37
- 11 Manhã De Carnaval (Theme From "Black Orpheus") Standout 2:41
- 12 Cancion Triste (Sad Song) 2:28
- 13 To Be In Love 2:09
- 14 I Feel Pretty (From "West Side Story") Standout 2:21
Reference: Wikipedia · MusicBrainz · Wikidata
Sync your library
Everything you track here works immediately — no account needed. Create one when you want to sync across devices.
