What makes Come Out Fighting Ghengis Smith by Roy Harper notable?

This album is notable for its ambitious length and stylistic experimentation, with tracks like Come Out Fighting Ghengis Smith showcasing Harper's unique blend of folk and rock influences. It received significant critical acclaim and contributed to Harper's growing reputation within the counterculture movement of the late '60s, influencing subsequent artists in the folk-rock genre. Released in 1968, Come Out Fighting Ghengis Smith was Roy Harper's fourth studio album, following the critically acclaimed Flat Baroque and Berserk. At this point, Harper was gaining recognition as a distinct voice in British folk music, known for his thought-provoking lyrics and innovative sound.

Who is Come Out Fighting Ghengis Smith for?

Come Out Fighting Ghengis Smith works well if you're into poetic storytelling in every track, reflective moments for deep thinking and gentle pacing with occasional bursts.

How many songs are on Come Out Fighting Ghengis Smith?

Come Out Fighting Ghengis Smith has 16 tracks, running approximately 67 minutes.

Come Out Fighting Ghengis Smith

Roy Harper · 1968

67 min · 16 tracks · traditional folk music

A sprawling blend of traditional folk and poetic lyricism, captured through intricate melodies and vivid storytelling.

Spotify Apple Music

YouTube Music YouTube Deezer Bandcamp SoundCloud

Own it: Amazon eBay

Top tracks — play these first

→
Come Out Fighting Ghengis Smith — The title track exemplifies Harper's intricate storytelling through a combination of narrative depth and musical complexity, reflecting the tumultuous spirit of its era.
→
Ageing Raver — This track stands out for its introspective lyrics that explore themes of aging and nostalgia, set against a lively, engaging melody.
→
What You Have — Offering a contemplative take on materialism, this song melds poignant lyrics with a haunting melody, making it a memorable highlight of the album.

Is this for you?

Good fit if you like

poetic storytelling in every track
reflective moments for deep thinking
gentle pacing with occasional bursts
immersive narratives that unfold gradually
quirky charm for casual listening

Maybe skip if you

seeking instant gratification
prefer straightforward structures

Where this album fits

Career context: Released in 1968, Come Out Fighting Ghengis Smith was Roy Harper's fourth studio album, following the critically acclaimed Flat Baroque and Berserk. At this point, Harper was gaining recognition as a distinct voice in British folk music, known for his thought-provoking lyrics and innovative sound.
Stylistic neighbors: Nick Drake· John Martyn· Leonard Cohen