Come un cammello in una grondaia cover

Come un cammello in una grondaia

Franco Battiato · 1991

32 min · 8 tracks · new wave · opera · pop rock

A vibrant mix of experimental textures and poignant lyrics, blending new wave with classical influences.

Is this for you?

Good fit if you like

  • steady mid-tempo reflective journey
  • poignant lyrics for introspection
  • short tracks for focused listening
  • experimental textures and melodies

Maybe skip if you want

  • seeking high-energy dance tracks
  • prefer standalone singles only

Where this album fits

Themes
Italian cultural critique· light and darkness exploration· avant-garde storytelling
Career context
By 1991, Franco Battiato had established himself as a pioneering figure in Italian music, with 'Come un cammello in una grondaia' being his tenth studio album. This release followed the critically acclaimed 'Fleurs', showcasing Battiato's continued evolution in blending diverse musical genres and lyrical depth.
Stylistic neighbors
Brian Eno· David Bowie· Roxy Music
Sounds like this from elsewhere
Low by David Bowie — Shares an experimental approach with rich textures and emotional depth, blending art rock and ambient influences.
Hounds of Love by Kate Bush — Combines theatrical elements with innovative production, exploring complex themes and emotional landscapes.
Duck Stab / Buster & Glen by The Residents — Offers a similar avant-garde spirit with eclectic sounds and surreal lyrics, pushing the boundaries of pop music.

Tracklist

Best experienced from track one — press play and let it unfold.

  • 1 Povera patria 3:44
  • 2 Le sacre sinfonie del tempo 3:45
  • 3 Come un cammello in una grondaia 3:30
  • 4 L’ombra della luce 4:54
  • 5 Schmerzen 2:50
  • 6 Plaisir d’amour 3:56
  • 7 Gestillte Sehnsucht 5:48
  • 8 Oh Sweet Were the Hours 3:37

Reference: Wikipedia · MusicBrainz · Wikidata