Cross That Line
Howard Jones · 1989
48 min · 10 tracks · new wave
Synth-driven melodies intertwine with reflective lyrics, creating a vibrant soundscape that captures the essence of late '80s pop-rock.
Top tracks — play these first
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The Prisoner Start here — establishes the sonic palette early
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Everlasting Love — This track stands out for its infectious melody and emotional resonance, showcasing Jones' ability to blend catchy hooks with heartfelt lyrics about enduring love.
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Cross That Line — The title track embodies the album's exploration of personal boundaries and self-discovery, featuring a compelling arrangement that highlights Jones' distinctive vocal delivery.
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Guardians of the Breath — This track delves into themes of spirituality and existence, standing out for its contemplative lyrics and expansive soundscapes that push the boundaries of mainstream pop.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album blends upbeat synth-pop with reflective themes, showcasing solid craftsmanship but lacking strong cohesion.
What we noticed
- The first half of the album features upbeat tracks with driving synth lines, while the second half shifts to more introspective and slower-paced songs.
- Several tracks incorporate layered vocal harmonies that create a rich texture, particularly in 'Everlasting Love' and 'Guardians of the Breath'.
- The use of varied instrumentation, including strings and brass alongside synthesizers, adds depth to the arrangements throughout the record.
- Composition 25% of the score
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6/10
- Craft 20% of the score
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7/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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6/10
- Sequencing 12% of the score
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5/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- introspective late-night reflections
- gradual builds and payoffs
- layered, dense sonic textures
- long, immersive listening sessions
Where this album fits
- In the catalog
- Breakthrough — This album solidified Jones' presence with hit singles after his commercial peak.
- Themes
- personal boundaries· spiritual exploration· late '80s introspection
- Career context
- Cross That Line was Howard Jones' fourth studio album, released after his commercial peak in the mid-'80s. Following the success of his previous albums like Dream Into Action, this record marked a transition as he explored deeper themes while maintaining his signature synth-pop sound.
- Stylistic neighbors
- Depeche Mode· Erasure· Pet Shop Boys
Tracklist
- 1 The Prisoner Start here 4:39
- 2 Everlasting Love 4:20
- 3 Powerhouse 3:29
- 4 Last Supper 5:24
- 5 Cross That Line 4:45
- 6 Out of Thin Air 3:06
- 7 Guardians of the Breath 7:37
- 8 Fresh Air Waltz 4:04
- 9 Wanders to You 5:12
- 10 Those Who Move Clouds 5:48
If this landed
Records by other artists that run on the same instinct.
Music for the Masses
Depeche Mode
Shares synth-driven melodies and introspective lyrics, capturing late '80s emotional complexity.
The Seeds of Love
Tears for Fears
Combines lush synths and reflective themes, mirroring personal exploration in a vibrant soundscape.
The Innocents
Erasure
Features catchy synth-pop melodies with deeper emotional undertones, resonating with late '80s introspection.
Reference: Wikipedia · MusicBrainz · Wikidata
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