Top tracks — play these first
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Dictator Start here — establishes the sonic palette early
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This Is England — The track stands out for its poignant lyrics and anthemic chorus that critiques contemporary British society, embodying the band's enduring spirit of protest.
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We Are the Clash — This song serves as a manifesto of sorts for the band, emphasizing unity and resilience amidst disillusionment in both the music scene and society.
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Dirty Punk — With its raw energy and catchy hooks, this track captures the essence of punk while showcasing the band's adaptation to new wave influences.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album's mix of punk energy and new wave elements creates a unique but uneven listening experience.
What we noticed
- The album opens with a fast-paced track that sets a confrontational tone, followed by several songs that maintain a similar tempo before slowing down in the latter half.
- Vocals are often layered with backing harmonies, creating a dense sound that contrasts with the sparse instrumentation typical of earlier Clash records.
- Several tracks feature prominent synthesizers and drum machines, which contribute to a more polished and electronic feel compared to their previous work.
- Composition 25% of the score
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5/10
- Craft 20% of the score
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4/10
- Durability 25% of the score
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3/10
- Distinctiveness 18% of the score
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6/10
- Sequencing 12% of the score
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5/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Little footprint beyond its audience. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- steady, consistent energy levels
- short, punchy listening sessions
- raw, energetic engagement
- defiant, rebellious spirit
Where this album fits
- In the catalog
- Experimental — Represents a departure from earlier sound and lineup, causing mixed reactions.
- Themes
- British societal critique· political disillusionment· post-punk identity crisis
- Moods
- Energetic· Aggressive
- Career context
- Released in 1985, Cut the Crap was The Clash's final studio album, marking a significant moment as their first without founding member Mick Jones. At this time, the band was grappling with internal strife and a shifting music landscape, resulting in a sound that leaned more towards new wave compared to their earlier punk roots.
- Stylistic neighbors
- The Jam· Buzzcocks· Joe Strummer
Tracklist
- 1 Dictator Start here 3:02
- 2 Dirty Punk 3:12
- 3 We Are the Clash 3:05
- 4 Are You Red..y 3:02
- 5 Cool Under Heat 3:24
- 6 Movers and Shakers 3:04
- 7 This Is England 3:53
- 8 Three Card Trick 3:11
- 9 Play to Win 3:09
- 10 Fingerpoppin’ 3:25
- 11 North and South 3:32
- 12 Life Is Wild 2:39
If this landed
Records by other artists that run on the same instinct.
Workers Playtime
Billy Bragg
Shares political urgency and disillusionment with a blend of punk spirit and folk influences.
Bouncing off the Satellites
The B-52's
Combines new wave energy with a quirky edge, reflecting societal themes in a lively manner.
The Gift
The Jam
Explores British societal critique through a mix of punk roots and sophisticated pop arrangements.
Reference: Wikipedia · MusicBrainz · Wikidata
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