What makes Dead Cities by The Exploited notable?

Dead Cities received critical acclaim for its innovative fusion of genres and was influential within the hardcore punk scene of the mid-90s. The album featured the iconic track 'We Have Explosive,' which became notable for its heavy rotation on alternative radio and contributed to The Exploited's enduring legacy in punk culture. Released in 1996, Dead Cities marked The Exploited's sixth studio album, showcasing their evolution into a more experimental sound while maintaining their hardcore punk roots. This album followed their previous release, 1994's Let's Start a War... Said Maggie One Day, and demonstrated the band's willingness to explore darker themes and complex compositions.

Who is Dead Cities for?

Dead Cities works well if you're into dynamic emotional journeys, long, immersive listening sessions and wave-like pacing fluctuations.

How many songs are on Dead Cities?

Dead Cities has 13 tracks, running approximately 70 minutes.

Released 30 years ago

Dead Cities

The Exploited · 1996

70 min · 13 tracks · hardcore punk

An aggressive blend of hardcore punk and industrial noise, capturing a chaotic visceral energy throughout its runtime.

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Top tracks — play these first

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We Have Explosive — This track exemplifies the album's blend of hardcore punk with electronic elements, creating a relentless energy that defines the band's modern approach.
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Dead Cities — The title track stands out with its haunting atmosphere and intricate production, reflecting the album's overarching themes of urban decay and alienation.
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Everyone in the World Is Doing Something Without Me — This song captures a sense of isolation and urgency, encapsulating both personal struggle and societal critique through its compelling lyrics.

Is this for you?

Good fit if you like

dynamic emotional journeys
long, immersive listening sessions
wave-like pacing fluctuations
haunting atmospheric reflections

Where this album fits

Career context: Released in 1996, Dead Cities marked The Exploited's sixth studio album, showcasing their evolution into a more experimental sound while maintaining their hardcore punk roots. This album followed their previous release, 1994's Let's Start a War... Said Maggie One Day, and demonstrated the band's willingness to explore darker themes and complex compositions.
Stylistic neighbors: GBH· Discharge· Dead Kennedys