What makes Don't Call Me Buckwheat by Garland Jeffreys notable?

The album's title track gained attention for its exploration of racial identity and cultural stereotypes, reflecting the socio-political climate of early 90s America. It was well-received by critics, often noted for its insightful lyrics and rich musicality, contributing to Jeffreys' reputation as a thoughtful songwriter within the pop and blues genres. By the time 'Don't Call Me Buckwheat' was released in 1991, Garland Jeffreys had established himself as a distinctive voice in American music, following the critical acclaim of his previous album 'Ghost Writer' from 1982. This record marked his return to the music scene after nearly a decade, showcasing his ability to merge personal narratives with broader societal issues.

Who is Don't Call Me Buckwheat for?

Don't Call Me Buckwheat works well if you're into steady mid-tempo storytelling flow, sharp social commentary insights and reflective moments of personal connection.

How many songs are on Don't Call Me Buckwheat?

Don't Call Me Buckwheat has 13 tracks, running approximately 51 minutes.

Don't Call Me Buckwheat

Garland Jeffreys · 1991

51 min · 13 tracks · blues

A vibrant fusion of blues and pop, blending sharp social commentary with infectious melodies and rhythmic grooves.

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Top tracks — play these first

→
Don't Call Me Buckwheat — This title track confronts racial identity head-on, using humor and poignancy to address stereotypes while showcasing Jeffreys' lyrical prowess.
→
Color Line — In 'Color Line', Jeffreys tackles themes of racial division through a catchy chorus that juxtaposes serious subject matter with an upbeat sound.
→
Spanish Blood — 'Spanish Blood' weaves personal history with cultural heritage, highlighting Jeffreys' unique narrative style that resonates with listeners across backgrounds.

Is this for you?

Good fit if you like

steady mid-tempo storytelling flow
sharp social commentary insights
reflective moments of personal connection
engaging narratives for thoughtful listening

Maybe skip if you

seeking high-energy party tracks
prefer standalone hit singles

Where this album fits

Career context: By the time 'Don't Call Me Buckwheat' was released in 1991, Garland Jeffreys had established himself as a distinctive voice in American music, following the critical acclaim of his previous album 'Ghost Writer' from 1982. This record marked his return to the music scene after nearly a decade, showcasing his ability to merge personal narratives with broader societal issues.
Stylistic neighbors: John Hiatt· Leonard Cohen· Lyle Lovett

Moments worth listening for

Where the writing does something specific.

Don't Call Me Buckwheat

Jeffreys directly addresses the misconceptions surrounding his identity shifts the tone from humor to a poignant reflection on racism.

This shift emphasizes the weight of societal labels, making it clear that beneath the humor lies a serious critique of racial stereotypes.

Tracklist

Best experienced from track one — press play and let it unfold.

1 Moonshine in the Cornfield 1:03
2 Welcome to the World 4:08
3 Don't Call Me Buckwheat 4:19
4 Color Line 4:14
5 Hail Hail Rock 'n' Roll 3:53
6 I Was Afraid of Malcolm 4:26
7 Bottle of Love 3:56
8 The Answer 4:42
9 Racial Repertoire 4:57
10 Spanish Blood 4:27
11 Lonelyville 4:44
12 Murder Jubilee 3:59
13 I'm Not a Know It All 2:51

What to play next

Listen next

Wildlife Dictionary

1997

Go back to

Paradise Theater, Boston October'79

1985

Full Garland Jeffreys discography Artists like Garland Jeffreys

blues

Reference: Wikipedia · MusicBrainz · Wikidata