Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album showcases strong compositions with engaging interplay, though it doesn't break new ground in jazz.
What we noticed
- The album features a consistent use of piano as the lead instrument, with rhythmic variations that shift between swing and straight time.
- Several tracks incorporate call-and-response patterns between the piano and horns, creating a conversational dynamic.
- The last three tracks slow down significantly, allowing for extended improvisation and a reflective mood.
- Composition 25% of the score
-
7/10
- Craft 20% of the score
-
8/10
- Durability 25% of the score
-
6/10
- Distinctiveness 18% of the score
-
6/10
- Sequencing 12% of the score
-
7/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Little footprint beyond its audience. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- conversational storytelling with warmth
- playful reflections on life's quirks
- short tracks for easy engagement
- late-night introspection with humor
Maybe skip if you
- prefer high-energy dance tracks
- want heavy production elements
Where this album fits
- Stylistic neighbors
- Bob James· David Sanborn· Chick Corea
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Back Nine 4:31
- 2 Brand New Music 3:26
- 3 Don’t Cry for No Hipster 4:57
- 4 At Least We Got to the Race 3:02
- 5 Can We Talk 5:29
- 6 In the Beginning 2:32
- 7 It Don’t Get No Better 3:39
- 8 Dying Anyway 4:15
- 9 Private Guy 4:01
- 10 Reflections 4:23
- 11 Take a Little Hit 2:57
- 12 Sixteen Tons 3:35
- 13 Rich Interior Life 2:45
- 14 Hooglin’ 4:42
Reference: Wikipedia · MusicBrainz · Wikidata
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