Dot.Com
The Residents · 2000
57 min · 13 tracks
An experimental collage of avant-garde sounds and cryptic narratives that challenges conventional listening experiences.
Why this album works
While 'Dot.Com' did not achieve significant commercial success, it is notable for its commentary on technology and society amidst the dot-com bubble. The album showcases The Residents' lasting influence on experimental music and has garnered a cult following among fans of avant-garde art.
- Best for
- dynamic journey with unexpected peaks cryptic narratives for curious minds wave-like pacing that surprises
- Context
- By the release of 'Dot.Com' in 2000, The Residents were already established as avant-garde pioneers, having formed in the early 1970s. This album followed their ambitious project 'Freak Show' (1990) and marked a continued exploration into digital themes, reflecting the internet's rising cultural prominence at the turn of the millennium.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 The Sour Song 2:44
- 2 Nineteen-Ninety-Nine Standout 4:46
- 3 Ninth Rain 3:14
- 4 Wanda 4:54
- 5 Conceiving Ada Titles 3:46
- 6 Paint It Black 2:59
- 7 Hunters 1:24
- 8 Eskimo Opera Standout 5:26
- 9 Walter Westinghouse 6:24
- 10 I Murdered Mommy Standout 4:11
- 11 I Hear Ya Got Religion 2:47
- 12 Santa Dog for Gamelan Orchestra 5:16
- 13 Fire ’99 / Santa Dog 2nd Millennium 9:52
Reference: Wikipedia · MusicBrainz · Wikidata
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