Double Exposure
Chris Connor · 1961
36 min · 10 tracks · jazz
A sultry blend of jazz standards infused with Connor's intimate vocal style and lush orchestral arrangements.
Top tracks — play these first
-
→
Summertime — Connor’s rendition transforms this oft-covered standard into a languid exploration of longing, showcasing her ability to convey deep emotion through subtle phrasing.
-
→
Black Coffee — This track stands out for its melancholic intensity, with Connor’s voice capturing the bittersweet essence of heartache and solitude amidst rich instrumentation.
-
→
Spring Can Really Hang You Up the Most — Here, Connor masterfully navigates complex rhythms and emotional landscapes, making it a highlight that encapsulates the album’s thematic depth.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
Connor's emotive vocals paired with innovative arrangements create a compelling jazz experience.
What we noticed
- The album opens with a classic jazz standard, 'Summertime', and maintains a consistent tempo throughout the first half before introducing more varied arrangements in the latter tracks.
- Connor's vocal delivery is often layered with lush orchestral backing, creating a rich texture that complements her interpretations of the standards.
- Composition 25% of the score
-
7/10
- Craft 20% of the score
-
8/10
- Durability 25% of the score
-
6/10
- Distinctiveness 18% of the score
-
6/10
- Sequencing 12% of the score
-
7/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- intimate late-night listening experience
- sultry atmosphere for relaxation
- short tracks for casual enjoyment
- emotional warmth through vocal delivery
Maybe skip if you
- prefer upbeat, fast-paced music
- seek experimental soundscapes
Where this album fits
- Career context
- By the time Chris Connor released 'Double Exposure' in 1961, she was an established vocalist known for her unique interpretations of jazz standards. This album followed her successful releases in the late 1950s and showcased her continued evolution as an artist, blending traditional jazz elements with contemporary sensibilities.
- Stylistic neighbors
- June Christy· Anita O'Day· Sarah Vaughan
Moments worth listening for
Where the writing does something specific.
-
That’s How It Went, All Right
The moment shifts from reminiscence to acceptance, as the singer reflects on past experiences without lingering regret.
This transition from nostalgia to resolution highlights Connor's lyrical depth and showcases her nuanced understanding of storytelling through song.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Summertime 3:11
- 2 I Only Have Eyes for You 2:34
- 3 It Never Entered My Mind 5:04
- 4 Two Ladies in de Shade of de Banana Tree 2:36
- 5 Spring Can Really Hang You Up the Most 4:17
- 6 The Lonesome Road 4:20
- 7 All the Things You Are 2:48
- 8 Black Coffee 3:37
- 9 Happy New Year 4:23
- 10 That’s How It Went, All Right 3:11
Reference: Wikipedia · MusicBrainz · Wikidata
Sync your library
Everything you track here works immediately — no account needed. Create one when you want to sync across devices.