Double Live Annihilation
Annihilator · 2003
92 min · 19 tracks · heavy metal
A relentless onslaught of thrash riffs and ferocious vocals, capturing the raw energy of Annihilator's live performances.
Top tracks — play these first
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King of the Kill — This track exemplifies Annihilator's signature blend of aggression and melody, showcasing Jeff Waters' intricate guitar work and powerful vocal delivery.
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Alison Hell — As one of their most recognized songs, this performance highlights the band's ability to weave haunting melodies with complex rhythms and lyrics that explore dark themes.
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Set the World on Fire — The energetic rendition of this classic hit encapsulates the band's stage presence and connects deeply with fans, making it a staple of their live shows.
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Murder Start here — This opening track sets an intense tone for the album with its aggressive riffs and relentless pace, embodying the essence of Annihilator's thrash roots.
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Never, Neverland — The performance of this song showcases a balance between melodic elements and thrash aggression, illustrating the band's versatility and musical evolution.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album captures Annihilator's live energy effectively, showcasing strong compositions and skilled performances.
What we noticed
- The album features a continuous flow of high-energy tracks, with no significant breaks between songs, creating an immersive live experience.
- Vocals are delivered with aggressive intensity, often layered with harmonies that enhance the thrash riffs underneath.
- Several tracks incorporate extended guitar solos that showcase technical proficiency and add dynamic shifts within the performances.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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8/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- wave-like pacing with intensity
- dynamic live performance energy
- cathartic release through chaos
- engaging crowd participation moments
- focused listening with vibrant solos
Maybe skip if you
- prefer slow, mellow sessions
- seek polished studio recordings
Where this album fits
- In the catalog
- Fan Favorite — Captures live energy and extensive catalog, appealing to dedicated fans.
- Themes
- live metal energy· dark storytelling· thrash metal legacy
- Career context
- Released on March 25, 2003, 'Double Live Annihilation' marked a significant moment in Annihilator's career as it showcased their extensive catalog after nearly two decades in the industry. By this time, they had established themselves as one of the leading forces in thrash metal, following their 2001 studio album 'Waking the Fury'. This live album presented a culmination of their work, featuring tracks from various points in their career.
Moments worth listening for
Where the writing does something specific.
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Alison Hell
The storytelling shifts into a chilling recounting of inner turmoil as the protagonist confronts their fears directly.
This moment utilizes vivid imagery to create an unsettling atmosphere that enhances the emotional weight of the song's narrative.
Tracklist
Disc 1
- 1 Murder Start here 4:35
- 2 Ultra-Motion 5:17
- 3 The Box 4:55
- 4 Denied 5:39
- 5 The Blackest Day 5:36
- 6 King of the Kill 3:58
- 7 Torn 5:34
- 8 Lunatic Asylum 6:25
Disc 2
- 1 Set the World on Fire 4:54
- 2 I Am in Command 4:12
- 3 Refresh the Demon 5:35
- 4 Syn. Kill 1 4:53
- 5 Never, Neverland 5:44
- 6 Striker 5:19
- 7 Bliss 1:10
- 8 Phantasmagoria 4:44
- 9 Crystal Ann 2:06
- 10 Alison Hell 5:49
- 11 Shallow Grave 6:07
If this landed
Records by other artists that run on the same instinct.
Reference: Wikipedia · MusicBrainz · Wikidata
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