Top tracks — play these first
-
→
Pull Me Out Alive — This track stands out with its dynamic shifts between delicate fingerpicking and more aggressive strumming, showcasing King's versatility and emotional range.
-
→
Can Anyone Who Has Heard This Music Really Be a Bad Person? — The song's contemplative lyrics paired with intricate guitar patterns invite listeners into a philosophical reflection on morality and art.
-
→
Sad American — In this piece, King combines haunting melodies with poignant themes of identity and disillusionment, encapsulating the album's introspective nature.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalThe album showcases intricate guitar compositions and atmospheric soundscapes, establishing a strong artistic identity.
What we noticed
- The album features intricate fingerstyle guitar work that often employs alternate tunings, creating a distinct tonal palette.
- Several tracks incorporate ambient soundscapes and layered effects, enhancing the atmospheric quality of the music.
- The tempo varies significantly across tracks, with some pieces maintaining a steady rhythm while others explore free-form structures.
- Composition 25% of the score
-
7/10
- Craft 20% of the score
-
8/10
- Durability 25% of the score
-
6/10
- Distinctiveness 18% of the score
-
8/10
- Sequencing 12% of the score
-
7/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- introspective moments of reflection
- dynamic flow with emotional peaks
- haunting melodies for deep focus
- captivating guitar work exploration
Maybe skip if you
- seeking upbeat party tracks
- prefer straightforward structures
Where this album fits
- Career context
- By 2008, Kaki King had already established herself as a prominent figure in the acoustic music scene with her critically acclaimed second album, 'Until We Felt Red.' 'Dreaming of Revenge' marked her third studio release, showcasing her continued evolution as a musician and composer, particularly after gaining recognition for her innovative playing style and unique approach to guitar.
- Stylistic neighbors
- Andy McKee· Michael Hedges· Luna
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Bone Chaos in the Castle 2:28
- 2 Life Being What It Is 4:00
- 3 Sad American 3:07
- 4 Pull Me Out Alive 3:45
- 5 Montreal 4:27
- 6 Open Mouth 4:41
- 7 So Much for So Little 3:32
- 8 Saving Days in a Frozen Head 3:08
- 9 Air and Kilometers 4:24
- 10 Can Anyone Who Has Heard This Music Really Be a Bad Person? 5:10
- 11 2 O'Clock 5:49
- 12 Zeitgeist 6:31
Reference: Wikipedia · MusicBrainz · Wikidata
Sync your library
Everything you track here works immediately — no account needed. Create one when you want to sync across devices.