Everything, Everything
Underworld · 2000
75 min · 8 tracks · synth-pop · techno · progressive house
A vibrant fusion of progressive house and techno, pulsating with hypnotic rhythms and ethereal vocals.
Is this for you?
Good fit if you like
- hypnotic rhythms for deep focus
- dynamic ebb and flow experience
- extended tracks for immersive journeys
- for late-night exploration
Maybe skip if you want
- seeking quick, catchy tracks
- prefer standalone song formats
Where this album fits
- In the catalog
- Critical Peak — Innovative blend of genres and production techniques marks a high point in their career.
- Themes
- urban nightlife· euphoric despair· hypnotic rhythms
- Career context
- Released in 2000, 'Everything, Everything' was Underworld's fifth studio album, following their breakthrough work 'Second Toughest in the Infants'. By this time, the duo had solidified their place in electronic music, building on the success of tracks like 'Born Slippy .NUXX', which had gained massive popularity after being featured in the film 'Trainspotting'.
- Stylistic neighbors
- The Chemical Brothers· Fatboy Slim· Daft Punk
- If this clicks, go next to
- A Hundred Days Off — Continues the vibrant electronic sound with fresh elements and evolving rhythms.
- Sounds like this from elsewhere
-
Surrender by The Chemical Brothers — Shares the same hypnotic rhythms and euphoric energy for nightlife.
Tracklist
New here? Start with "Juanita / Kiteless".
- 1 Juanita / Kiteless Start here 12:35
- 2 Cups 3:26
- 3 Push Upstairs 7:28
- 4 Pearls Girl 8:17
- 5 Jumbo 8:33
- 6 Shudder / King of Snake 12:17
- 7 Born Slippy .NUXX 10:56
- 8 Rez / Cowgirl 11:47
What to play next
This album is considered a Critical Peak in Underworld's catalog. Innovative blend of genres and production techniques marks a high point in their career.
Reference: Wikipedia · MusicBrainz · Wikidata
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