Filmworks XXII: The Last Supper
John Zorn · 2008
46 min · 16 tracks · avant-garde jazz
An experimental tapestry weaving together avant-garde jazz motifs with haunting, cinematic soundscapes.
Why this album works
This album is notable for its exploration of spiritual and existential themes through music, reflecting on the narrative of the Last Supper in a novel way. The reception highlighted Zorn's continued innovation in film scoring, contributing to discussions around the role of music in visual storytelling. Critics praised its evocative nature, enhancing Zorn's stature within contemporary classical and avant-garde circles.
- Best for
- wave-like dynamic listening experience haunting soundscapes for deep focus short tracks for quick engagement
- Context
- By 2008, John Zorn was already an established figure in avant-garde music with numerous releases under his belt. 'Filmworks XXII: The Last Supper' came as part of his extensive film score series, showcasing his unique ability to blend jazz improvisation with theatrical elements. This album followed the critically acclaimed 'Filmworks XXI', further cementing Zorn's reputation for boundary-pushing compositions.
- Stylistic neighbors
- Christina Aguilera· Diana Ross· Madonna· Prince· George Benson· Chicago· Bob Dylan· Barbra Streisand
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Somnambulisme 2:12
- 2 Opening Invocation 2:13
- 3 Virgin Sacrifice Standout 3:25
- 4 Vespers 3:37
- 5 Spiral 3:17
- 6 The Last Supper Standout 1:55
- 7 The Colors of Blood 2:47
- 8 Sexaltation 2:35
- 9 Dance for the Vernal Equinox 1:35
- 10 Tarot 1:43
- 11 Time Travel 2:27
- 12 Le Diable 2:01
- 13 Exhaltation 2:01
- 14 Futur Primitif 5:34
- 15 Blood Ritual Standout 2:39
- 16 In Alium 6:29
Reference: Wikipedia · MusicBrainz · Wikidata
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