What makes General Patton vs. The X-Ecutioners by Mike Patton notable?

The album is notable for its unique fusion of genres and has been recognized for influencing a wave of experimental hip-hop and rock collaborations. It garnered attention within the underground music scene, reflecting Patton's ability to merge diverse sounds while maintaining a distinct artistic identity. Critics praised its innovative approach, contributing to discussions about genre-blurring in the mid-2000s. By the time Mike Patton released General Patton vs. The X-Ecutioners in 2005, he was already an established figure in alternative music, known for his versatility across genres. This album followed his work with Faith No More and showcased his penchant for collaboration, particularly with the X-Ecutioners, a prominent turntablist crew. Patton's creative exploration during this period further solidified his status as a boundary-pushing artist.

How many songs are on General Patton vs. The X-Ecutioners?

General Patton vs. The X-Ecutioners has 23 tracks, running approximately 46 minutes.

General Patton vs. The X-Ecutioners

Mike Patton · 2005

46 min · 23 tracks · alternative rock

An explosive blend of hip-hop, metal, and avant-garde experimentation that challenges conventional musical boundaries.

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Top tracks — play these first

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¡Get Up, Punk! 0200 Hrs. (Joint Special Operations Task Force) — This track encapsulates the album's frenetic energy with its rapid-fire beats and aggressive vocals, exemplifying the chaotic spirit of the project.
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Battle Damage Assessment and Repair/White Flag Surrender/‘Wake Me Up in Heaven’ — The closing track merges multiple themes and styles, showcasing Patton's lyrical dexterity and the album's overarching narrative of combat and introspection.
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Warcry/Infrared R’n’B Hallucination/Jungle Operations Exfiltration System — This piece stands out for its complex layering of sounds and samples, highlighting the innovative use of turntables in constructing a soundscape that feels both chaotic and intentional.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

50 /100

Foothills

Higher than 23% of albums we've rated

The album's genre-blending and experimental approach create a unique sound, though its fragmented structure affects cohesion.

What we noticed

Several tracks incorporate spoken word elements and samples, creating a collage-like effect that challenges traditional song structures.

Composition 25% of the score: 6/10
Craft 20% of the score: 7/10
Durability 25% of the score: 5/10
Distinctiveness 18% of the score: 8/10
Sequencing 12% of the score: 4/10

Influence 4/10

Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Tracklist

Best experienced from track one — press play and let it unfold.

1 X‐Men Doctrine and Declaration: Target = 40:40:11N 73:56:38W 1:30
2 General P. Counterintelligence: Target = 37:47:36N 122:33:17W 0:40
3 ¡Get Up, Punk! 0200 Hrs. (Joint Special Operations Task Force) 3:38
4 Roc Raida: Riot Control Agent/Combat Stress Control 2:05
5 Improvised Explosive Device 0300 Hrs. 0:36
6 ¡Vaqueros Y Indios! (Joint Special Operations Task Force) 1:52
7 Precision Guided Needle‐Dropping and Larynx Munitions (PGNDLM) 1:55
8 Duelling Banjo Marching Drill 1:54
9 Battle Hymn of the Technics Republic 1:11
10 ¡Fire in the Hole! 0400hrs. (Joint Special Operations Task Force) 2:14
11 Convulsive Antidote for Nerve Agent Autoinjector (CANAA) 0:43
12 Modified Combined Obstacle Overlay (MCOO)… Or… ‘How I Learned to Stop Worrying and Love the Turntables’ 2:41
13 Surprise Swing Onsurgency/Tabla and Tongue Twist Counterattack/‘Dragon Seeks Path’ 3:41
14 ¡Kamikaze! 0500 Hrs. (‘Take a Piece of Me’) 2:16
15 ‘We’ll Paint This Town’‐‐Throat and Phonograph Fire Support Coordination Measures (TPFSCM) 1:40
16 Imitative Electromagnetic Deception (IED)/Digital Nonsecure Voice Terminal (DNVT) 0:21
17 A.W.O.L. Block Party Brawl 0600 Hrs. 1:50
18 Eastside Multichannel Tactical Scratch Communications (EMTSC) 1:41
19 ¡Pimps Up, Aces High! 0700 Hrs. (Westside Swashbuckling Parade) 1:28
20 Warcry/Infrared R’n’B Hallucination/Jungle Operations Exfiltration System 3:02
21 L.O.L.‐‐¡Loser on Line! (Hate the Player, Hate the Game) 3:34
22 Low Altitude Vocal Parachute Extraction System (LAVPES) 1:04
23 Battle Damage Assessment and Repair/White Flag Surrender/‘Wake Me Up in Heaven’ 4:52

What to play next

Listen next

A Perfect Place – Original Motion Picture Soundtrack

2008

Go back to

Collected Psyche

2002

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