Genghis Khan cover

Genghis Khan

Miike Snow · 2015

19 min · 5 tracks · indie rock

Vibrant remixes infuse electronic energy into a catchy indie-pop anthem, transforming it into a dancefloor-ready experience.

Top tracks — play these first

  • →
    Genghis Khan (Louis the Child remix) — This remix captures the essence of the original while adding an upbeat tempo and playful electronic elements that resonate well with festival crowds.
  • →
    Genghis Khan (Hook n Sling remix) — Featuring a driving bassline and infectious hooks, this version elevates the track into a club anthem that showcases Hook n Sling's signature style.
  • →
    Genghis Khan (Empress Of remix) — Empress Of brings an ethereal touch to the track, blending dreamy vocals with intricate beats, making it a standout for its emotional depth.

Is this for you?

Good fit if you like

  • dancefloor-ready remix energy
  • short bursts of catchy fun
  • high-tempo party atmosphere
  • vibrant tracks for group listening

Maybe skip if you

  • slow-paced introspective moments
  • long, drawn-out compositions

Where this album fits

Career context
By 2015, Miike Snow had already established themselves with their unique blend of indie rock and synth-pop. This release followed their album 'iii' from 2016, showcasing their continued evolution in sound through remix culture.
Stylistic neighbors
Empire of the Sun· Passion Pit· Chvrches

Moments worth listening for

Where the writing does something specific.

  • Genghis Khan (Louis the Child remix)

    The chorus shifts to emphasize a yearning tone amidst vibrant synths.

    This shift not only enhances the emotional stakes but also aligns with the energetic backdrop, creating a juxtaposition that deepens listener engagement.

Tracklist

Best experienced from track one — press play and let it unfold.

  • 1 Genghis Khan (Louis the Child remix) 3:16
  • 2 Genghis Khan (Hook n Sling remix) 4:32
  • 3 Genghis Khan (Empress Of remix) 3:08
  • 4 Genghis Khan (CID remix) 4:15
  • 5 Genghis Khan (Yacht Club remix) 4:17

Reference: Wikipedia · MusicBrainz · Wikidata