Gettin' To It
Christian McBride · 1995
55 min · 10 tracks · jazz
A dynamic blend of post-bop intricacies and soulful grooves delivered with virtuosic precision.
Top tracks — play these first
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In a Hurry Start here — This opening track showcases McBride's exceptional bass playing and sets a high-energy tone for the album with its brisk tempo and intricate solos.
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The Shade of the Cedar Tree — This piece highlights McBride's ability to blend lyrical melodies with complex rhythms, creating an emotional depth that resonates throughout the album.
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Stars Fell on Alabama — McBride's arrangement transforms this standard into a fresh exploration of harmony and interaction among musicians, illustrating his innovative approach to traditional material.
Is this for you?
Good fit if you like
- playful rhythms for social gatherings
- smooth transitions between varied moods
- captivating solos that invite focus
- uplifting tracks for afternoon vibes
Maybe skip if you
- prefer instant gratification tracks
- seek high-energy dance tunes
Where this album fits
- In the catalog
- Breakthrough — Debut album that established McBride's reputation in jazz and received critical acclaim.
- Themes
- jazz innovation· post-bop complexity· musical conversations
- Career context
- 'Gettin' To It' marks Christian McBride's debut album, showcasing his transition from a promising bassist to a leading voice in jazz. Released in 1995, it followed his collaborations with notable artists like Betty Carter and Joshua Redman, establishing his reputation as a formidable talent in the jazz scene.
- Stylistic neighbors
- Marcus Miller· Robert Glasper· Esperanza Spalding
Tracklist
- 1 In a Hurry Start here 4:35
- 2 The Shade of the Cedar Tree 7:39
- 3 Too Close for Comfort 5:50
- 4 Sitting on a Cloud 5:46
- 5 Splanky 4:15
- 6 Gettin’ to It 5:30
- 7 Stars Fell on Alabama 5:23
- 8 Black Moon 5:18
- 9 King Freddie of Hubbard 7:39
- 10 Night Train 3:38
What to play next
Number Two Express
1996
Continues the post-bop style with fresh grooves and intricate musicianship.
Parker's Mood
1995
Sets the stage with a similar blend of soulful jazz elements.
If this landed
Records by other artists that run on the same instinct.
Moodswing
Joshua Redman
Explores intricate post-bop structures with dynamic interplay and soulful improvisation.
Elegiac Cycle
Brad Mehldau
Combines sophisticated harmonies and rhythmic complexity, creating a rich conversational jazz atmosphere.
With the Tenors of Our Time
Roy Hargrove
Features virtuosic playing and engaging dialogues between instruments, reflecting post-bop innovation.
Reference: Wikipedia · MusicBrainz · Wikidata
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