Glass Spider
David Bowie · 1988
124 min · 25 tracks · alternative rock
A kaleidoscopic blend of rock, pop, and theatricality painted in vivid sonic colors and introspective lyrics.
Top tracks — play these first
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Up the Hill Backwards Start here — establishes the sonic palette early
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Day‐In Day‐Out — This track stands out for its poignant lyrics addressing social issues, alongside an infectious pop melody showcasing Bowie's ability to merge meaningful content with accessible sound.
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Loving the Alien — With its lush production and contemplative lyrics, this song encapsulates Bowie's exploration of personal and societal themes through a lens of alienation.
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Absolute Beginners — 'Absolute Beginners' combines romantic longing with a sweeping orchestral arrangement, representing Bowie's flair for storytelling within his music.
Is this for you?
Good fit if you like
- theatrical storytelling through sound
- expansive soundscapes for reflection
- engaging lyrical depth and nuance
- dynamic pacing with varied tracks
- immersive experience for dedicated listeners
Maybe skip if you
- prefer shorter, more concise albums
- seek instant gratification in music
Where this album fits
- In the catalog
- Deep Cut — Represents a unique phase in Bowie's career but isn't widely recognized as essential.
- Themes
- theatrical alienation· social commentary
- Career context
- Released in 1988, Glass Spider marked David Bowie's return to the music scene after a brief hiatus following the commercial success of Let’s Dance in 1983. This album came during a phase where Bowie was exploring more elaborate theatrical presentations, exemplified by the extravagant Glass Spider Tour that accompanied the release. It also represented a shift back towards his experimental roots after several years of mainstream success.
- Stylistic neighbors
- Brian Eno· Roxy Music· Talking Heads
Tracklist
Disc 1
- 1 Up the Hill Backwards Start here 3:51
- 2 Glass Spider 5:55
- 3 Day‐In Day‐Out 4:34
- 4 Bang Bang 4:02
- 5 Absolute Beginners 7:08
- 6 Loving the Alien 7:14
- 7 China Girl 4:55
- 8 Rebel Rebel 3:30
- 9 Fashion 5:04
- 10 Scary Monsters (and Super Creeps) 4:52
- 11 All the Madmen 6:39
- 12 Never Let Me Down 3:56
Disc 2
- 1 Big Brother 4:47
- 2 ’87 and Cry 4:07
- 3 “Heroes” 5:10
- 4 Sons of the Silent Age 3:10
- 5 Time Will Crawl / Band Introduction 5:23
- 6 Young Americans 5:06
- 7 Beat of Your Drum 4:37
- 8 The Jean Genie 5:23
- 9 Let’s Dance 5:01
- 10 Fame 7:05
- 11 Time 5:11
- 12 Blue Jean 3:26
- 13 Modern Love 4:53
If this landed
Records by other artists that run on the same instinct.
Hounds of Love
Kate Bush
Shares theatrical storytelling and expansive soundscapes with a blend of pop and avant-garde elements.
So
Peter Gabriel
Combines polished production with reflective lyricism and theatrical themes, echoing Bowie's style.
Speaking in Tongues
Talking Heads
Explores social commentary through art pop and innovative arrangements, resonating with Bowie's experimental spirit.
Reference: Wikipedia · MusicBrainz · Wikidata
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