Going Baroque – De Bach aux Baroques cover

Going Baroque – De Bach aux Baroques

The Swingle Singers · 1964

23 min · 12 tracks · a cappella

A vibrant fusion of classical melodies reimagined through intricate vocal harmonies and rhythmic precision.

Top tracks — play these first

  • →
    Badinerie (From the Suite in B Minor) — This track exemplifies the Swingle Singers' signature style, transforming a well-known piece into a lively vocal arrangement filled with intricate harmonies and playful rhythms.
  • →
    Air (From the Harpsichord Suite in E Minor) — The ethereal quality of this track highlights the group's ability to evoke emotion through vocal textures, creating a serene atmosphere that contrasts with more upbeat selections.
  • →
    Largo (From the Harpsichord Concerto in F Minor) — In this rendition, the Swingle Singers demonstrate their mastery of dynamics and phrasing, allowing the emotional depth of Bach’s composition to resonate through their voices.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

79 /100
Summit
Higher than 99% of albums we've rated

The album showcases innovative vocal arrangements that blend classical and jazz influences effectively.

What we noticed

  • Each track reinterprets a classical piece with intricate vocal arrangements, often layering multiple harmonies to create a rich texture.
  • The album features rhythmic variations that incorporate jazz elements, such as syncopation and swing, which are not typical in traditional classical renditions.
Composition 25% of the score
8/10

the writing — melody, harmony, structure, lyrics

Craft 20% of the score
9/10

production, performance, arrangement

Durability 25% of the score
7/10

whether it rewards returning to it

Distinctiveness 18% of the score
9/10

whether it sounds like itself

Sequencing 12% of the score
8/10

running order, pacing, length

Influence 6/10

Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

  • short bursts of intricate harmonies
  • playful reinterpretations of classics
  • bright energy for lively moments
  • for focused listening
  • quick sonic explorations with charm

Maybe skip if you

  • prefer lengthy immersive albums
  • seek straightforward, linear narratives

Where this album fits

In the catalog
Breakthrough — This album helped establish The Swingle Singers' innovative a cappella style.
Career context
When 'Going Baroque' was released in January 1964, The Swingle Singers were gaining momentum after their formation in 1962, establishing themselves as pioneers in the a cappella genre. This album followed their debut, showcasing their unique ability to blend classical music with contemporary vocal techniques, setting the stage for their future innovations.
Stylistic neighbors
Pentatonix· Voca People· The Bobs

Tracklist

Best experienced from track one — press play and let it unfold.

  • 1 Badinerie (From the Suite in B Minor) 1:18
  • 2 Air (From the Harpsichord Suite in E Minor) 2:21
  • 3 Gigue (From the Cello Suite in C Major) 1:18
  • 4 Largo (From the Harpsichord Concerto in F Minor) 2:59
  • 5 Prelude No. 19 (From the Well Tempered Clavier, 1st Book) 1:07
  • 6 Preambule (From the Partita No. 5 in G Major) 2:22
  • 7 Fugue (From the Estro Harmonico Op. 3, No. 11, Arranged for Organ by J.S. Bach) 2:20
  • 8 Allegro (From the Concerto Grosso, Op. 6, No. 4) 3:13
  • 9 Prelude No. 7 (From the Well Tempered Clavier, 2nd Book) 2:32
  • 10 Solfeggietto 0:54
  • 11 Der Fruehling (Spring) 1:32
  • 12 Prelude No. 24 (From the Well Tempered Clavier, 2nd Book) 1:55

Reference: Wikipedia · MusicBrainz · Wikidata