Good People in Times of Evil
Jonas Hellborg · 2000
51 min · 6 tracks · jazz
A fusion of intricate jazz harmonies and progressive rock rhythms creates a meditative yet dynamic soundscape throughout the album.
Top tracks — play these first
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Age of the Ladies Start here — The opening track sets the tone with its sprawling length and intricate arrangement, showcasing Hellborg's virtuosic bass work intertwined with ethereal melodies.
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Savitri — This piece features a blend of serene atmospheres and rhythmic complexity, highlighting Hellborg's ability to create immersive soundscapes while maintaining melodic focus.
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Bhakti Ras — With its driving rhythms and engaging interplay between instruments, this track exemplifies the album's overarching themes of spirituality and human connection through music.
Is this for you?
Good fit if you like
- meditative rhythms for reflection
- long tracks for deep immersion
- intricate melodies that invite focus
- thoughtful soundscapes for contemplation
Maybe skip if you
- seeking quick, catchy tunes
- prefer upbeat, fast-paced music
Where this album fits
- In the catalog
- Critical Peak — Ambitious blend of jazz and progressive rock marks a significant artistic high point.
- Themes
- spiritual exploration· musical human connection· ethereal soundscapes
- Career context
- By the time 'Good People in Times of Evil' was released in 2000, Jonas Hellborg had established himself as a prominent figure in the fusion genre, having collaborated with notable musicians like John McLaughlin and Bill Laswell. This album followed his critically acclaimed works in the late 1990s, marking a continued exploration of complex musical themes and spiritual influences.
- Stylistic neighbors
- Bill Laswell· Michael Manring· Chick Corea
Tracklist
- 1 Age of the Ladies Start here 12:10
- 2 Savitri 6:53
- 3 Leal Souvenir 10:55
- 4 Bhakti Ras 7:37
- 5 Who Would You Like to Be? 7:08
- 6 Uma Haimavati 6:57
If this landed
Records by other artists that run on the same instinct.
Reference: Wikipedia · MusicBrainz · Wikidata
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