Green Lantern
James Newton Howard · 2011
50 min · 16 tracks · free jazz
An orchestral tapestry weaving heroic themes with ethereal textures, echoing the cosmic struggle between good and evil.
Top tracks — play these first
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Prologue / Parallax Unbound Start here — establishes the sonic palette early
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The Ring Chooses Hal — This track encapsulates the pivotal moment of transformation for Hal Jordan, combining tension with a rising sense of heroism that defines the character's journey.
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Hal Battles Parallax — Serving as a climactic piece, this track showcases Howard's ability to build intensity through orchestral dynamics, enhancing the film’s action-packed finale.
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Welcome to Oa — This track introduces listeners to the Green Lantern Corps’ homeworld, blending wonder with an expansive sound that reflects the universe's vastness and potential.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalThe score effectively combines orchestral and electronic elements, showcasing strong thematic development within its cinematic context.
What we noticed
- The final track culminates in a climactic orchestral swell, providing a sense of resolution after the preceding tension.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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6/10
- Sequencing 12% of the score
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7/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- dynamic narrative progression throughout
- epic swells for thematic immersion
- cosmic tension and resolution
- wave-like pacing with contrasts
- engaged listening for cinematic feel
Maybe skip if you
- prefer standalone tracks only
- seek instant gratification sounds
Where this album fits
- In the catalog
- Deep Cut — Solid entry in Howard's catalog, showcasing his orchestral style without mainstream recognition.
- Career context
- By 2011, James Newton Howard was an established film composer known for his dynamic scores. 'Green Lantern' followed his work on major films like 'The Last Airbender' and continued to showcase his ability to blend traditional orchestration with modern sensibilities.
- Stylistic neighbors
- Hans Zimmer· John Williams· Ennio Morricone
Tracklist
- 1 Prologue / Parallax Unbound Start here 3:09
- 2 Abin Sur Attacked 1:08
- 3 Carol Scolds Hal 1:20
- 4 Drone Dogfight 3:15
- 5 Did Adam Put You Up to This? 2:25
- 6 The Ring Chooses Hal 2:34
- 7 Genesis of Good and Evil 2:35
- 8 The Induction Process 3:05
- 9 Welcome to Oa 1:42
- 10 We’re Going to Fly Now 1:53
- 11 You Reek of Fear 2:13
- 12 The Origin of Parallax 3:25
- 13 Run 5:30
- 14 You Have to Be Chosen 7:29
- 15 Hector’s Analysis 1:06
- 16 Hal Battles Parallax 7:19
What to play next
Snow White and the Huntsman – Original Motion Picture Soundtrack
2012
Continues the orchestral themes with a darker, more mystical atmosphere.
The Last Airbender
2010
Sets up a similar epic soundscape with heroic undertones.
Reference: Wikipedia · MusicBrainz · Wikidata
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