Homogenic Live cover

Homogenic Live

Björk · 2004

69 min · 16 tracks · alternative rock · electronic · avant-garde music

A stunning live showcase where orchestral arrangements intertwine with Björk's haunting vocals and electronic textures.

Is this for you?

Good fit if you like

  • haunting vocals with orchestral depth
  • captivating live performance atmosphere
  • immersive emotional crescendos throughout
  • dynamic shifts in intensity
  • introspective moments of vulnerability

Maybe skip if you want

  • prefer straightforward, upbeat tracks
  • seek instant gratification from music

Where this album fits

Themes
orchestral landscapes· Icelandic isolation· live emotional intensity
Career context
By the time "Homogenic Live" was released in 2004, Björk was already an influential figure in avant-garde music, having achieved international acclaim with her previous albums like "Homogenic" (1997). This album captures a pivotal moment in her career, displaying her transition from a pop icon to a more experimental artist, as it features live renditions of tracks that blend electronic music with orchestral elements.
Stylistic neighbors
FKA twigs· Arca· Kate Bush
Sounds like this from elsewhere
Fever Ray by Fever Ray — Shares a haunting vocal style and atmospheric soundscapes blending electronic with organic textures.
( ) by Sigur Rós — Merges orchestral arrangements with ethereal vocals, evoking a sense of isolation and emotional depth.
Two Suns by Bat for Lashes — Combines lush instrumentation with introspective lyrics, capturing a blend of electronic and organic elements.

Tracklist

Best experienced from track one — press play and let it unfold.

  • 1 Visur Vatnsenda Rósu 1:52
  • 2 Hunter 4:17
  • 3 You’ve Been Flirting Again 3:34
  • 4 Isobel 4:55
  • 5 All Neon Like 4:56
  • 6 Possibly Maybe 5:43
  • 7 5 Years 4:09
  • 8 Come to Me 4:20
  • 9 Immature 2:59
  • 10 I Go Humble 4:24
  • 11 Bachelorette 5:17
  • 12 Human Behaviour 3:52
  • 13 Pluto 3:55
  • 14 Jóga 4:25
  • 15 So Broken 4:27
  • 16 Anchor Song 5:53

Reference: Wikipedia · MusicBrainz · Wikidata