Huge
Hugh Hopper · 1997
45 min · 11 tracks · progressive rock
A fusion of avant-garde jazz and progressive rock, weaving intricate basslines with eclectic instrumentation and playful themes.
Top tracks — play these first
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Huge — The title track encapsulates the album's bold spirit, showcasing intricate bass work layered over dynamic instrumentation that sets the tone for the entire record.
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Einstein & Hawking — This track stands out for its playful exploration of scientific themes, blending humor with sophisticated musical structures that reflect Hopper's inventive approach.
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Only Being — With its extended duration, this piece allows for deep musical exploration, highlighting Hopper's capacity for creating immersive soundscapes that challenge traditional song forms.
Is this for you?
Good fit if you like
- intricate melodies for deep listening
- quirky rhythms for playful exploration
- dynamic shifts keeping attention engaged
- short tracks for sampling
- late-night introspection with twists
Maybe skip if you
- seeking straightforward song structures
- prefer predictable, consistent pacing
Where this album fits
- Career context
- Upon its release in 1997, 'Huge' marked a significant continuation of Hugh Hopper's experimental journey following his tenure with Soft Machine. By this time, Hopper had solidified his reputation as a pioneering bassist in the progressive rock scene, branching out into more avant-garde territories with this collaborative effort alongside producer Kramer.
- Stylistic neighbors
- Robert Wyatt· Soft Machine· Can
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Huge 4:35
- 2 Ten Mile Mean Streak 3:51
- 3 Tall as the Empire State 4:10
- 4 Manchester '96 2:35
- 5 Waltz of the Big Brains 3:18
- 6 She's Everything Mr. H. 4:17
- 7 Einstein & Hawking 3:38
- 8 Celine's Final Breath 4:50
- 9 Only Being 6:55
- 10 Texas Trombone 1:24
- 11 Terry Southern Blues 6:18
Reference: Wikipedia · MusicBrainz · Wikidata
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