Is Hum It a good place to start with Ray Stevens?

Yes, Hum It is recommended as a starting point for new Ray Stevens listeners. A playful blend of humorous storytelling and catchy melodies reflecting the lighthearted side of country music. Released in 1997, 'Hum It' marked Ray Stevens' return to the charts after a decade-long hiatus from mainstream prominence, showcasing his signature novelty style. This album came after his previous work, 'Shut Up and Smoke,' which was released in 1989, positioning Stevens firmly in an era where humor-infused country was gaining renewed interest.

Hum It works well if you're into playful storytelling with humor, steady mid-tempo sing-alongs and lighthearted reflections on life.

How many songs are on Hum It?

Hum It has 10 tracks, running approximately 37 minutes.

Hum It

Ray Stevens · 1997

37 min · 10 tracks · country music

A playful blend of humorous storytelling and catchy melodies reflecting the lighthearted side of country music.

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Top tracks — play these first

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R. V. Start here — This track humorously narrates the experience of RV camping, embodying the carefree spirit of summer vacations while cleverly critiquing modern consumer culture.
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Too Drunk To Fish — A comedic take on fishing gone wrong, this song captures the essence of rural life with its humorous lyrics and catchy refrain, making it a standout track.
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She Loves Elvis Better Than Me — This track offers a clever twist on love and jealousy through its witty lyrics about an Elvis-obsessed partner, showcasing Stevens' sharp lyrical wit.

Is this for you?

Good fit if you like

playful storytelling with humor
steady mid-tempo sing-alongs
lighthearted reflections on life
for casual gatherings

Maybe skip if you

seeking intense emotional depth
prefer complex, experimental sounds

Where this album fits

In the catalog: Breakthrough — Marked return to charts after a decade, showcasing his enduring appeal.
Themes: RV camping adventures· rural fishing mishaps· Elvis obsession humor
Career context: Released in 1997, 'Hum It' marked Ray Stevens' return to the charts after a decade-long hiatus from mainstream prominence, showcasing his signature novelty style. This album came after his previous work, 'Shut Up and Smoke,' which was released in 1989, positioning Stevens firmly in an era where humor-infused country was gaining renewed interest.
Stylistic neighbors: Jerry Reed· Buck Owens· Roger Miller