I Am the Last of All the Field That Fell: A Channel cover

I Am the Last of All the Field That Fell: A Channel

Current 93 · 2014

67 min · 11 tracks · neofolk

Ethereal soundscapes intertwine with haunting vocals, creating an immersive tapestry of neofolk and experimental textures.

Why this album works

'I Am the Last of All the Field That Fell: A Channel' received critical acclaim for its depth and complexity, often noted in reviews from publications like 'The Quietus.' The album marked a notable point in Current 93's discography, continuing to influence the neofolk scene while also drawing attention for its thematic exploration of loss and spirituality.
Best for
long immersive listening sessions ethereal atmospheric exploration haunting vocal contemplations
Context
By 2014, Current 93 had established themselves as a cornerstone of the neofolk genre, with 'I Am the Last of All the Field That Fell: A Channel' being their latest studio album following 2012's 'Aleph at Hallucinatory Mountain.' This release continued to showcase David Tibet's unique blend of mysticism and personal reflection, further solidifying his artistic vision in a career that spans over three decades.
Stylistic neighbors
Swans· Agalloch· Death in June

Tracklist

Best experienced from track one — press play and let it unfold.

  • 1 The Invisible Church Standout 6:32
  • 2 Those Flowers Grew 8:42
  • 3 Kings and Things Standout 6:22
  • 4 With the Dromedaries 5:37
  • 5 The Heart Full of Eyes 5:46
  • 6 Mourned Winter Then 5:56
  • 7 And Onto PickNickMagick 7:57
  • 8 Why Did the Fox Bark? 6:22
  • 9 I Remember the Berlin Boys Standout 3:49
  • 10 Spring Sand Dreamt Larks 4:33
  • 11 I Could Not Shift the Shadow 6:13

Reference: Wikipedia · MusicBrainz · Wikidata