Top tracks — play these first
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I’m Still in the Night — The title track establishes the album's eerie tone with its slow tempo and layered synths, embodying the essence of Salem's sound.
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Better Off Alone — This track showcases an extended exploration of isolation through its repetitive structure and chilling vocal delivery, drawing listeners into its hypnotic rhythm.
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Krawl — With its raw production and unsettling atmosphere, Krawl exemplifies Salem's ability to evoke tension while maintaining melodic hooks.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The EP's atmospheric sound and cohesive production mark it as a notable entry in the witch house genre.
What we noticed
- The first track opens with a slow, brooding synth line that sets a dark tone, which is maintained throughout the EP.
- Vocals are layered and heavily processed, often blending into the instrumental backdrop rather than standing out distinctly.
- Each track features a consistent tempo and structure, relying on repetitive motifs that create an immersive atmosphere.
- Composition 25% of the score
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6/10
- Craft 20% of the score
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7/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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8/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 I’m Still in the Night 3:03
- 2 Better Off Alone 7:09
- 3 Krawl 2:58
- 4 Baby Ratta 3:29
Reference: Wikipedia · MusicBrainz · Wikidata
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