In the End It Always Does
The Japanese House · 2023
45 min · 12 tracks · indie pop · synth-pop · dream pop
Ethereal synths and introspective lyrics weave a tapestry of nostalgia and self-exploration in this dream pop landscape.
Why this album works
This album has been critically praised for its intricate production and emotional depth, positioning The Japanese House as a significant voice in contemporary indie pop. The lead single 'Sad to Breathe' received notable attention for its poignant lyrics and reflective sound, further establishing Bain's influence within the dream pop genre.
- Best for
- introspective late-night reflections atmospheric background focus gradual builds and payoffs
- Context
- In the End It Always Does marks The Japanese House's sophomore album, following their acclaimed debut Good at Falling released in 2019. By 2023, the project led by Amber Bain had matured, showcasing a deeper lyrical exploration and sonic complexity as she navigated personal growth and artistic expression amidst a pandemic backdrop.
- Stylistic neighbors
- Ellie Goulding· Still Corners· Pale Waves
- If this clicks, go next to
- Good at Falling — Continues the introspective themes with a similar ethereal sound palette.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Spot Dog 4:28
- 2 Touching Yourself Standout 3:01
- 3 Sad to Breathe Standout 3:34
- 4 Over There 4:42
- 5 Morning Pages Standout 3:47
- 6 Boyhood 3:09
- 7 Indexical reminder of a morning well spent 4:43
- 8 Friends 3:08
- 9 Sunshine Baby 3:39
- 10 Baby goes again 3:31
- 11 You always get what you want 2:48
- 12 One for sorrow, two for Joni Jones 4:30
Reference: Wikipedia · MusicBrainz · Wikidata
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