Intermodulation cover

Released 60 years ago

Intermodulation

Bill Evans · 1966

32 min · 6 tracks · jazz

A delicate interplay of harmonies and rhythms unfolds through introspective melodies and intricate improvisation.

Top tracks — play these first

  • →
    I've Got You Under My Skin Start here — accessible entry with immediate hook
  • →
    My Man's Gone Now — This track stands out for its emotional depth and nuanced phrasing, showcasing Evans' sensitivity to both melody and harmony while interpreting a classic tune.
  • →
    Turn Out the Stars — The composition highlights Evans' intricate piano work combined with lyrical themes, reflecting a contemplative mood that defines much of this album.
  • →
    Jazz Samba — This lively piece captures an energetic fusion of Brazilian rhythms and jazz improvisation, demonstrating Evans' versatility and ability to bridge musical styles.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

Instrumental
68 /100
Alpine
Higher than 93% of albums we've rated

The album's intricate interplay and improvisational focus highlight its significance in jazz without losing coherence.

What we noticed

  • The album features a consistent use of intricate piano lines that weave in and out of each other, creating a rich tapestry of sound.
  • Each track showcases extended improvisation sections, allowing the musicians to explore themes rather than sticking to rigid structures.
  • The tempo varies significantly across tracks, with some maintaining a slow, contemplative pace while others shift into more lively rhythms.
Composition 25% of the score
8/10

the writing — melody, harmony, structure, lyrics

Craft 20% of the score
7/10

production, performance, arrangement

Durability 25% of the score
8/10

whether it rewards returning to it

Distinctiveness 18% of the score
7/10

whether it sounds like itself

Sequencing 12% of the score
6/10

running order, pacing, length

Influence 6/10

Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

  • delicate melodies for quiet moments
  • wave-like pacing for deep focus
  • emotional exploration through intricate harmonies
  • short sessions with lasting impressions

Maybe skip if you

  • seeking high-energy dance tracks
  • prefer straightforward, catchy tunes

Where this album fits

In the catalog
Breakthrough — This album solidified Evans' reputation in modal jazz and gained wider recognition.
Career context
Released in 1966, Intermodulation marked Bill Evans' continued exploration of modal jazz following his acclaimed works in the early 1960s. At this point, he was solidifying his reputation as a pioneering figure in the genre, having previously gained recognition with albums like 'Sunday at the Village Vanguard'. This album features collaborations that showcase his unique trio arrangements and improvisational skills.
Stylistic neighbors
Chick Corea· Keith Jarrett· Herbie Hancock

Moments worth listening for

Where the writing does something specific.

  • My Man's Gone Now

    The narrative shifts from reflection on loss to an expression of resignation and acceptance, illustrating deep emotional conflict.

    This progression in perspective reveals the complexity of grief, making the emotional landscape richer as it transitions from sorrow to a form of closure.

Tracklist

  • 1 I've Got You Under My Skin Start here 3:25
  • 2 My Man's Gone Now 6:47
  • 3 Turn Out the Stars 7:38
  • 4 Angel Face 6:38
  • 5 Jazz Samba 3:11
  • 6 All Across the City 4:49

Reference: Wikipedia · MusicBrainz · Wikidata