It's All Over but the Swingin'
Sammy Davis Jr. · 1957
43 min · 12 tracks · blues
A vibrant blend of swing and jazz, showcasing Sammy Davis Jr.'s dynamic vocal prowess over lush arrangements.
Top tracks — play these first
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Guess I’ll Hang My Tears Out to Dry Start here — This track opens the album with a poignant delivery that captures the essence of heartbreak, highlighting Davis's ability to convey deep emotion through his voice.
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I Cover the Waterfront — Davis's interpretation of this classic showcases his skillful phrasing and nuanced emotional expression, making it a standout moment on the album.
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Someone to Watch Over Me — In this track, Davis’s smooth vocals beautifully blend with the orchestral arrangement, illustrating his talent for transforming standards into personal statements.
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I've Grown Accustomed to Her Face — This song features a reflective performance that underscores Davis's capacity for subtlety and intimacy in his vocal delivery, making it memorable and impactful.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album blends swing and jazz with strong arrangements, showcasing Davis's vocal talent but lacks impact.
What we noticed
- The album features lush orchestral arrangements that complement Davis's vocal delivery, with strings and horns prominently used throughout.
- Each track showcases a different emotional nuance, with some songs emphasizing a swing feel while others adopt a more laid-back jazz approach.
- The first half of the album maintains a consistent mid-tempo pace, while the second half introduces slower ballads that create a contrasting dynamic.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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6/10
- Sequencing 12% of the score
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7/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- steady pacing for reflective moments
- heartfelt ballads for emotional connection
- sophisticated sound for dinner parties
- intimate listening with close friends
- melancholic themes for rainy days
Maybe skip if you
- seeking high-energy dance tracks
- prefer instant gratification over depth
Where this album fits
- In the catalog
- Breakthrough — This album marked a key transition in Davis's career, solidifying his solo reputation.
- Career context
- It's All Over but the Swingin' was released in 1957, marking a significant moment in Sammy Davis Jr.'s career as he transitioned from being primarily known as a member of the Rat Pack to establishing himself as a solo artist. This album followed his successful stint on Broadway and television appearances, allowing him to showcase his versatility beyond just acting.
- Stylistic neighbors
- Frank Sinatra· Nat King Cole· Tony Bennett
Tracklist
- 1 Guess I’ll Hang My Tears Out to Dry Start here 4:43
- 2 But Not for Me 3:24
- 3 Where’s That Rainbow 3:27
- 4 I Cover the Waterfront 3:19
- 5 Don’t Blame Me 2:52
- 6 Better Luck Next Time 2:43
- 7 Can’t Help Lovin’ Dat Gal 4:53
- 8 It Never Entered My Mind 4:05
- 9 Someone to Watch Over Me 3:23
- 10 I’ve Grown Accustomed to Her Face 2:47
- 11 Spring Is Here 4:03
- 12 I Can’t Get Started 3:29
Reference: Wikipedia · MusicBrainz · Wikidata
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