It's Five O'Clock Somewhere cover

It's Five O'Clock Somewhere

Slash's Snakepit · 1995

69 min · 14 tracks · hard rock

A raw and energetic blend of hard rock riffs, bluesy melodies, and Slash's signature guitar work creates a powerful sonic landscape.

Top tracks — play these first

  • →
    Dime Store Rock — This track captures the essence of the album with its infectious groove and catchy hooks, spotlighting Slash’s distinct guitar solos alongside Eric Dover’s dynamic vocals.
  • →
    Good to Be Alive — An anthemic celebration of life, this song features uplifting lyrics paired with driving rhythms, showcasing the band’s ability to blend hard rock energy with a feel-good vibe.
  • →
    I Hate Everybody (But You) — With its cheeky title and playful lyrics, this track highlights the band's irreverent humor while delivering a catchy chorus that contrasts sharply with its sentiments.
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    Take It Away — This song stands out for its melodic structure and emotional depth, demonstrating Slash's capacity to weave intricate guitar lines into a narrative about longing and introspection.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

48 /100
Foothills
Higher than 19% of albums we've rated

The album features solid songwriting and energetic performances but lacks the depth to stand out long-term.

What we noticed

  • The album opens with a strong mid-tempo track that sets a gritty tone, followed by a faster-paced song that maintains high energy.
  • Several tracks feature prominent guitar solos that showcase Slash's technical skill and blues influences, particularly in the choruses.
  • The last three tracks slow down the tempo significantly, creating a contrast with the earlier songs and allowing for more introspective moments.
Composition 25% of the score
6/10

the writing — melody, harmony, structure, lyrics

Craft 20% of the score
7/10

production, performance, arrangement

Durability 25% of the score
5/10

whether it rewards returning to it

Distinctiveness 18% of the score
6/10

whether it sounds like itself

Sequencing 12% of the score
6/10

running order, pacing, length

Influence 4/10

Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Tracklist

Best experienced from track one — press play and let it unfold.

  • 1 Neither Can I 6:43
  • 2 Dime Store Rock 4:53
  • 3 Beggars & Hangers-on 6:14
  • 4 Good to Be Alive 4:50
  • 5 What Do You Want to Be 6:16
  • 6 Monkey Chow 4:11
  • 7 Soma City Ward 3:49
  • 8 Jizz Da Pit 2:47
  • 9 Lower 4:54
  • 10 Take It Away 4:43
  • 11 Doin’ Fine 4:16
  • 12 Be the Ball 5:15
  • 13 I Hate Everybody (But You) 4:40
  • 14 Back and Forth Again 5:55

Reference: Wikipedia · MusicBrainz · Wikidata