Released 60 years ago
It's Uptown
George Benson · 1966
42 min · 11 tracks · funk
A smooth blend of jazz and pop, imbued with funk grooves and Benson's signature guitar work that evokes a vibrant urban atmosphere.
Top tracks — play these first
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Clockwise Start here — establishes the sonic palette early
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Summertime — This interpretation infuses the classic with a laid-back groove while showcasing Benson's vocal phrasing and guitar technique, making it a standout example of his style.
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Ain't That Peculiar — Benson's rendition transforms Marvin Gaye's soulful original into a jazzy staple that highlights his ability to reinterpret popular songs within a new context.
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Willow Weep for Me — The extended arrangement allows Benson to explore intricate guitar solos while delivering an emotive vocal performance, demonstrating his prowess across multiple musical facets.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album blends jazz and funk effectively, highlighted by strong guitar work and varied tempos.
What we noticed
- The album opens with a brisk tempo on 'Clockwise', establishing a lively groove that persists through the first half.
- Benson's guitar work is prominent throughout, often taking the lead in melodic lines while the rhythm section maintains a steady funk backdrop.
- The sequencing includes both upbeat tracks and slower ballads, creating a dynamic contrast that engages the listener.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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6/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- smooth evening relaxation vibes
- gentle background ambiance
- dynamic emotional journeys
- gradual builds and payoffs
Where this album fits
- In the catalog
- Breakthrough — First major label album that solidified his presence in the music industry.
- Themes
- smooth jazz transitions· soulful guitar improvisation· 1960s pop fusion
- Career context
- Released in 1966, It's Uptown marked George Benson's first major label album with A&M Records, transitioning from his earlier career in jazz to a more commercially viable sound. At this point, he was establishing himself as a prominent guitarist and vocalist, following his success with the instrumental album, The New Boss Guitar.
- Stylistic neighbors
- Al Jarreau· Lee Ritenour· Pat Metheny
Tracklist
- 1 Clockwise Start here 4:31
- 2 Summertime 2:28
- 3 Ain't That Peculiar 3:00
- 4 Jaguar 2:56
- 5 Willow Weep for Me 7:46
- 6 A Foggy Day 2:43
- 7 Hello Birdie 4:04
- 8 Bullfight 3:50
- 9 Stormy Weather 2:22
- 10 Eternally 4:08
- 11 Myna Bird Blues 4:34
If this landed
Records by other artists that run on the same instinct.
The Cat
Jimmy Smith
Features groovy jazz organ with a soulful vibe and smooth improvisation akin to Benson's style.
Speak Like a Child
Herbie Hancock
Shares lush arrangements and a blend of jazz and pop elements, focusing on melodic sophistication.
Music of My Mind
Stevie Wonder
Combines soulful melodies with intricate musicianship, echoing the smooth jazz-pop fusion of the 60s.
Reference: Wikipedia · MusicBrainz · Wikidata
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