James Brown Plays the Real Thing
James Brown · 1967
42 min · 8 tracks · blues · funk · soul
A vibrant blend of soul, funk, and jazz underpinned by James Brown's electrifying vocal prowess and rhythmic innovation.
Is this for you?
Good fit if you like
- steady grooves for dancing
- inviting sing-along moments
- uplifting vibe for gatherings
- soulful expressions of love
- for afternoon parties
Maybe skip if you want
- seeking instant gratification
- prefer shorter, standalone tracks
Where this album fits
- Themes
- urban youth culture· funk scene emergence
- Career context
- By 1967, James Brown was firmly established as a leading figure in the soul genre, with 'James Brown Plays the Real Thing' serving as his follow-up to the critical success of 'Live at the Apollo'. This album arrived during a period when Brown was transitioning from popular hits into more experimental sounds that showcased his dynamic performance style and deep musical roots.
- Stylistic neighbors
- Prince· Sly and the Family Stone· Parliament-Funkadelic
- Sounds like this from elsewhere
-
Stand! by Sly and the Family Stone — Shares a vibrant blend of funk and soul with a focus on social themes and rhythmic innovation.Rejuvenation by The Meters — Captures the same funky grooves and jazzy undertones, emphasizing rhythm and energetic performances.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Jimmy Jack 5:26
- 2 What Do You Like 7:24
- 3 Peewee’s Groove in “D” 5:10
- 4 Bernadette 3:05
- 5 Mercy, Mercy, Mercy 5:01
- 6 I Never Loved a Man the Way I Loved You 4:35
- 7 Funky Broadway 5:43
- 8 “D” Thing 5:40
Reference: Wikipedia · MusicBrainz · Wikidata
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